"We were managed by Donal Reid at the time, he would have being just finished playing with the Donegal senior team. Our trainer was Donoghue McNelis, who was the school teacher in Dungloe from Gweedore, that'd be Odhran's father. We won that Ulster, I think I was 19 that year. We beat I think it was Cavan? It was Martin McHugh who was managing the Cavan U21 team at that time. We got beat by Kerry, I think it was Dara Ó'Cinnéide and co. that beat us in the All Ireland Semi Final narrowly. It was nice to win that championship, It's actually the only Ulster Championship medal I have which is something that I'm proud of."
"As far as I can remember, I think it was actually on my 20th birthday. We played Meath in the league as far as I can recall. It's that long ago now I can't remember the details of it. Colm Coyle might have being marking that day. It was under PJ McGowan I made my debut and I think we beat Meath that day at home?"
"We got into five Ulster Championship finals. I suppose at that time the structure in Donegal wouldn't have being as professional as it is now. We came up against well trained, well oiled Armagh and Tyrone teams. They're teams that would have went on and won the All Ireland. I supose the fact we probably hadn't the work done, we were probably inconsistent at that time in that you didn't know what you were going to get with Donegal any day they went out. They were either very good or very poor. I put that down to preparation and the work done really. There was years there we struggled to get a manager to actually take on the team. It is one of my regrets not winning an Ulster Championship but at the same time I made plenty of friends along the way and made some great memories as well."
"As a manager I suppose McEniff was a good man manager, Mickey Moran I would have felt was a good football man in that he was a good trainer. Brian McIver had his attributes as well. Declan was young when he came in, I think Declan was only in his early 30's when he took over that senior job. Declan I would have felt was ahead of his time at that stage, because he was very professional with the whole setup, he had everything well organised and only for was quite unfortunate not to win an Ulster Championship against Derry in 1998 which to me would have led to bigger things."
"John was a character, a lovely man. Mickey Moran took him in 2001-02 and he actually complimented Mickey as well in the way the two of them worked together. They worked very well together. John was always very positive, always the bright side out and it was always positivity no matter what he done. I remember one of the first training sessions that he had music playing during the training which was all new to fellas. He had different theories. He was a great man for building you up and getting the best out of you. Some great ideas and was away ahead of his time in some of his drills and his way of looking at things. He was quite a character."
"Oh my goodness, that was unbelievable. We had to beat St Mirren, and I think Hearts got beat from Dundee. I was actually ill for the very last day of the season. It sounds like Corona virus, I had like a fever and I couldn't actually come to Parkhead or anything. And I was lying in my bed listening to the game and when we scored the fourth goal, I get in the car and drove to Paisley, just cause I was like 'I'm not missing this'. And I actually drove to St Mirren to see the lads. I'm going to say it was just before the end of the game. That's my genuine memory of that last day which was just quite incredible. I was lucky when I left Ayr and went to Celtic, it was a great opportunity and I'm glad I did it."
"Obviously my father won the league with Kilmarnock in 1964/65 and our medals are absolutley identical from all those years apart, apart from obviously one says J McInally and one says A McInally. Even just for that particular fact that father and son won the same competition, whatever it was, 30 years later on, it's something really special."
"He was really good to me. Really, really good. He pushed me, he was hard on me, but I've certainly got a lot of reasons to thank Graham Taylor for my particular career going in the right direction. Rather than making a wrong decision, leaving Celtic and things never happening for me then. To be quite honest with you, I would never have got to Bayern Munich if it hadn't being for Graham Taylor."
"It was after an international game for Scotland and then I think they came and watched a few Villa games. Obviously we'd gone quiet good. And then there was the very last day of the season and we were playing Coventry. Big Brian Kilcline was the defender. Used to call him 'Killer'. I can remember saying to Brian Kilcline, Brian listen, any chance you don't kick me up and down the park today because Bayern Munich's here. And he went 'it's alright big man' of course I'm up front with big Gary Thompson. Brian went 'I love big Thommo, not a problem, it's Martin Keown I don't like, so you two are ok' so we were like awh that's alright then, we were ok. The game was rubbish, we drew 0-0 and I thought awh well that's that then, that's that all over and sort of 3 weeks later I was a Bayern Munich player. It was kind of as quick as that."
"It went from absolute the highest of the high, playing at the absolute top top level of European football, to getting this silly stupid injury that was just a game changer and it finished my career. I was training on the Wednesday and on the Monday my career was over. The boy landed, My knee went in the way rather than sort of out the way, anyway part of the bone chipped and took away the cartilage and the meniscus, with me trying to keep playing and the weight on it etc etc it's like when you take something out of a watch or you take something out of a device, it never functions again the way it properly should and that was exactly what my knee was like. As a 29, 30 year old striker having experienced all the stuff I had behind me, not thinking I was invincible, but you pick up injuries etc etc but this one I just couldn't shake, but it was the fact it had done something specific to the joint and that was me done and dusted. To this day I've got a metal knee and I make nice funny noises when I go through the airport. The lads are like 'Oh hi big man, how's the knee' I'm like well lets see if this machine's working, and see if it goes off."
"It's probably the only game I've ever played in I would like to try and play again, was the game against Costa Rica, we got beat 1-0. And we absolutley battered Costa Rica and just could not score. They went up the other end, scored 1-0, we beat Sweden 2-1 and then unfortunately we got beat by Brazil 1-0 and we had to go home. But it was just the most exhilarating proudest feeling in the world. And it's the only thing, in my football, apart from my silly tackle/injury that finished my career that I would go back and say, right give me one more chance at that game. Just give me one more chance at that game. And at the time, it's not that I didn't think we were going to win, I didn't think we were too good or they weren't good enough. It was just one of those games that me, Maurice Johnston, Jim Bet, Roy Aitken, Alex McLeish, Willie Miller, Richard Gough, none of us could put the ball in the back of the net and it was so frustrating. Certainly looking back, just the most proudest moment of my life, and unfortunately for that particular time, probably as big a disappointment in football than I've ever had."
"Danny McGrain is the legend of all legends, that I will never forget. I was only at Celtic for about, say about 2 months, and Danny said 'C'mon we'll go for a beer'. And I went what? 'C'mon we'll go for a beer'. And I was sitting in a pub in Glasgow listening to Danny McGrain talking about football and I was like my mates are never going to believe this. My mates are NEVER going to believe this. It was incredible. And Danny McGrain was the only man I'd ever known had invited Kenny Daglish to our table when we were sitting having a meal and I was like oh my god this is unbelievable, I mean I'd being at Ayr United for god sakes. A little boy from Ayr who's now at Celtic and I'm sitting having a beer with Danny McGrain."
"Even when he passed away, there was a genuine mourning in Scotland for someone who thought they knew Tommy because of the way he came over. If you got the chance to speak to Tommy, Tommy was not an arrogant man. Tommy wasn't even a boastful man. He was a genuinely kind individual. Family man but funny, funny funny funny! Even when you've mentioned now, I'm speaking to you on the phone here Tony and I have the biggest smile on my face just remembering some of the crazy lunatic times that we use to have as well as the proud times."
"It's not an easy job to be honest, I find it difficult to overly criticise football players cause none of them are trying to be bad. Whether you're a top class individual or whether you play in the Second Division, you're at whatever level you're at and you'll get out of football as much as you put in it. Working with sky has just being terrific, I work on the best show on television on Soccer Saturday, I work with the best presenter on the television, Jeff Stelling."
"I started writing it last year, it would have been, maybe even this day last year (March 19 2020) that I started it. At the start of March 2020 I read this book 'The Uninhabital Earth' by David Wallace Wells. I'd read a lot about climate change before but this book, it just lays out the global impact of climate change, depending on how much warming we have. It's a really stark read, David Wallace Wells, he definitely doesn't pull his punches. So I left that with nearly a sense of obligation to do something. "
"I really wanted to get across to people in Ireland that it isn't just this kind of global problem that's far away, that the impacts are hitting Ireland already. I wanted to show people what the problem is we're dealing with but also lay out the solutions."
"Farming in total, makes up around a third of our omissions. that's around 20 million tonnes equivalent of Carbon Dioxide (C02). Now, I say equivalent because farming actually releases a lot of Methane and Nitrogen. They are very powerful, sort of short term warmers. So then we can covert them to Carbon Dioxide to give us a sense of scale of it. So if we look at it through the sense of Carbon Dioxide, cow's emit in Ireland roughly 11 million tonnes of Carbon Dioxide! That's as much as we emit for say heating or electricity. There is this kind of huge scale of omissions for agriculture, we talk a lot of the time about how bad agriculture is for omissions, I don't think even we really express the scale of the problem for it. We're growing our herd number and that's a big problem."
"That is, the short of it in Ireland, there's loads of potential for clean energy, there's a huge amount of positives from it including the fact that we're going to get an awful lot of jobs out of it. Electricity is a really important one. Electricity can power a lot of things, it can power cars for transport, it can power the heating in houses. If you want to build a Carbon neutral Ireland, you have to have Carbon neutral electricity, that's a major part of it. Luckily we have this huge potential, we have the Atlantic hitting our West coast which is great news for offshore wind and offshore wind I think is the future offering renewable electricity in Ireland. Because it's more powerful, it's more sustained wind but also it's not in people's communities. It's understandable when you see the protests or people having opposition to wind farms in their area, you don't have that same problem with offshore wind."
"Electric cars, they're clean now because they're actually more efficient than say your standard internal combustion engine car but they will be really Carbon neutral in the future if we have Carbon neutral electricity. The problem at the minute is they're too expensive. The government has to make it cheaper for people because you know most people when they're buying a car don't go out and buy a brand new car, you can't expect people to do that, that's just not realistic. This has to be really a government led thing."
"It's a staggering fact isn't it from the EPA. A lot of that, comes from us burning turf and coal, because the kind of particles that they emit when you burn them. When you burn them in a fire, things don't burn completely, so you end up with this kind of ash in the air that leads to this. That is definitely a huge problem. Again there's that problem of it is still too expensive for people to make the switch. You can't expect everyone to make a switch to a cleaner source of energy for their house. New houses, a lot of them at this stage have things like heat pumps and stuff. They're great and as well, we clean up the electricity grid they will be theoretically Carbon neutral."
"The big problem at the minute is our bogs. Now our bogs emit 3.3 million tonnes of carbon a year. That's about a million tonnes more than our aviation emissions. So that's a big problem. We talk a lot about flying and it's nearly the poster child of emissions but our bogs are actually worse for that in Ireland. We have to rewet them. Filling in drains, they are essentially carbon storing machines that work over millennia."
"I would have spent when I was younger summers in Dungloe. Over the past few years I've being lucky enough to work on my uncle's Oyster farm, I got to work in Patrick Johnny Sallys for a summer which was just incredible. That was a real education. I think my education happened in there to be honest. It gave me a real education when I think about climate action because there you can see the impact of the sea every year. You can see it even out in Maghery Beach, the Maghery community centre is only 2 metres above sea level. That keeps me up at night when I think of that. A lot of these areas that we do love are under threat from climate action."
"The impacts of climate change a lot of the time work like a snowball effect, so like if ice melts say near the North Pole, ice is really going to relfect in heat. If you've less ice, then the ice doesn't reflect heat as much, so we get more warming which melts more ice. Leaving climate change, say if we say, it's 2100, we'll leave it till the next generation, the next generation don't have the same problem that he have now, they have a far worse one."
"A lot of people know Lettermacaward because they drive through it, they don't realise that Lettermacaward is really a peninsula. We have the water on 3 sides of us, you have Gweebara Bay, the beautiful Gweebara Bay, famous in song and story and you have the beautiful Dooey bay with golden beaches and then you've Traighenna bay. It's only a relative short journey when you're going through Lettermacaward, you miss the hinderlind and you miss some of the beautiful scenery that's to be had."
"This is a thing that was a huge event in the lives of the people of Lettermacaward, and everybody round Traighenna Bay and further afield was the herring that came into Traighenna Bay round about 1896, the first herring came in. Huge shoals of herring continued and brought huge earnings for people who had nothing. The story is told locally anyway that a woman noticed this and she went out and she dipped her apron into the water and lifted it up the and the herring was in her apron. They were that dense in the water!"
"There was an archaeological dig there, at a place called Cloghastukan. Cloghastukan would be sort of behind the football pitch. What happened there was, these people, mostly Northern people, they were on the ball there, they used to come over there and they would be searching around the dunes and they started to find objects. Eventually they came to the conclusion that there was something here that was worth looking at. Then the next thing happened to make it even more interesting was the rabbits came to Dooey. There was no rabbits in Dooey until round the 40's when the Second World War was on. The rabbits were so plentiful, they were in, in all the dunes in Dooey making holes and people were out trapping them and selling their skins for the war and all that. But what happened was because these holes were made, then in windy and stormy weather, the sands was being whipped away round from the base of these sand dunes, and they would be kind of like a drain round the bottom of the sand dune. And the next thing, cattle used to come up then from the warren, and it was handy, they were able to scratch themselves on the dunes. On this particular day and after a while they were scratching, what started happening only skeletons start to fall out of it. So a man called Paddy McGill from Ardara, he was a national school teacher, himself and Fr Terence O'Donnell, they got wind of all this and Paddy had a natural interest in archaeology and they came down and they started to get the stuff from Dooey and eventually they got a grant from Dublin, and two archaeologists came down from Dublin and they excavated the place and that was in 1959. All the people who were employed in that were all from Dooey, and they were down on their two knees with little scoops scraping the ground incase they would miss something."
"The Ramper Road is fantastic if anybody takes time to look at it. Because the way those stones are placed in a slope up to the road so the water when it hits it, it goes up the way, it doesn't hit it full belt."
"Gweebara river in its day had two ferrys, before any bridges. The first ferry was the one down from Dooey at Ballinacarrick. That went from Ballinacarrick across to what people used to call the big house there in Derrylohan. Then the knitters sometimes when they were going up from Dungloe, they'd get across on the ferry, and they would go up that road and into Glenties with their knitting. Some other time some of them would try and cross the Gweebara when the tide was out, and there was always a great danger one way or the other. And then the second ferry was down, I'll just say at Gunnars pier for handyness, and it ran from Gunnars pier across to the old road going over at Corr. That one would be used quite a lot too because between fair days and what not. That ceased with the opening of the Gweebara Bridge, the first bridge."
"The first bridge across the Gweebara was the Doochary bridge. The Doochary bridge was built in think it was 1786 by Marquess Conyngham. He was responsible for his building. There might have some kind of a crossing there before that. They certainly was stones there in the river for crossing anyway. He was very big into being able to travel, especially he was interested in getting down to Burtonport and the fishing. He built the first bridge in Doochary which is still there today."
"The bridge would have opened there in 1896. Now it was an iron bridge and the bridge was constructed by the Phoenix company in Derby and they had it shipped across from Liverpool by a steamer. A kind of a low bottomed steamer. That was the first steamer ever came up the Gweebara and that was a huge event in the lives of the people as well, that came up probably in 1895. There was huge excitement because the steamer stopped and brought on a reporter from the 'Derry people' and the big thing was to cross the bar mouth. There was a local pilot I believe got and they put markings on the whole river, along the channel, and they had to wait until high tide. They got inside the bar mouth then and laid anchor and the following day they made their way up to the bridge or wherever the site was, they pulled in there, on a Sunday I think it was then, everybody came there after mass. They reckon there was up to 2,000 according to the reporter and the Leitir band came down and they played. The captain invited people to come on board to view the boat and caused huge excitement. That boat was carrying 240 tonnes of iron and steel. They had it built within the year and it was opened in April 1896."
"The Leitir Band was formed I think around about 1886. They got a man called Gordon to teach them, Gordon was an ex-army drummer. He had a lot of experience. I think he was actually from Tippearary, Gordon. But they paid him something like a six pence or a shilling a week and he taught them all. He taught them all the tunes that he knew in the British army, they were Scotch tunes but they put new names on them & different things. Good marching tunes."
"The post office arrived in Leitir in 1911. Also then, the telegraph arrived as well. The telegraph that time was morse code. Dot dash, no phone. When the telegraph arrived my grandfather was appointed by the post master general of England to the position as Post Master in Lettermacaward and our head office at the time was Strabane, everything was under British rule at the time. My grandfather wasn't too fond of that scenario because he had being to America for a good number of years before he came back and settled down and met my grandmother and all that. He could see the feeling people had in America in comparison to this country."
"I was there for 40 years and I represented the Donegal offices for 10 years. Going up and down to meetings in the GPO and different things. I enjoyed the experience but I didn't miss it when I decided to move away from it! "
"You know that 'Janey Mac I'm nearly 40', is now redundant because we're nearly eighty!"
"We've seen the world (Wolfe Tones) We've conquered the world. We've played in every major concert hall of the world. We're out there in Carnagy Hall. The Albert Hall, the Paris Olympia, all the great halls of the world. It's a remarkable achievement when I think back on it."
"Certainly, the streets of New York has been huge for the Wolfe Tones, he heard a story from Tommy some years ago about us and the police in New York and how friendly we were and how much they came back and forward and everything else. They were great fans and friends of ours over the years. So he said he'd write a song on that kind of theme, and the streets of New York is the result of that, wonderful song and a great story."
"I was born in Dublin, in the centre of the city, we lived there in a one room flat for seven years, we eventually got moved out to the suburbs, a place called Inishcore Bluebell all my family we're living out there, both my grandparents were living there, it was like coming home when we got a place there, going into open spaces. There was a lot of poverty around Dublin just after the war. I was born in 46, the war had just ended. Things were difficult, difficult to get food and everything else, everything was still rationed, so that was the beginnings of my life and my experiences in life."
"My Dad brought us out on the last tram out of Dublin. We went on the Saturday, because they said if you go out on the Sunday there'll be too much violence, people were ripping up the tram seats and taking souvenirs. We took the Dalkey tram, out to Dalkey and he said, always remember this day, because this is the last tram to leave Dublin. Dad worked on the railways, he was a coach painter, his grandfather, his great grandfather his great great grandfather, they all worked on the railways."
"I'd say 'Celtic Symphony' is probably No. 1, I'd say 'Joe McDonnell' No. 2, I'd say 'Streets of New York' would be No. 3, somewhere along that give or take. I get the things from Spotify all the time and by far 'Celtic symphony' is the biggest. It's gone millions and millions and millions of hits at this stage."
"It really was an absolute honour to be chosen as the winner of the Mary From Dungloe or even just to take part, an incredible experience, something I'll never forget."
"I suppose the pressure was off this year a bit, I really loved the whole role of being the one to look after the girls this year and make sure they're all OK and comfy. I think I really took to that more. they were both lovely experiences."
"2 tents. Camped out from the Friday to the Sunday, concerts throughout the days, throughout the nights. I can't even describe how much was happening. Hozier headlined on the Friday night and you had the 1975, Florence and The Machine, Kodaline, big massive acts all playing in a field down in Co Laois!"
"When I was 16 my dad took me to AC/DC. I think the whole experience of going to your first concert as well, that kinda contributed to why it stands out so well in my mind, I've seen them since again, an incredible show!"
"My first impressions of visiting China, insane! different world. Culture shock to say the least! Great wall of China, that was incredible. The culture over there is just so different."
I don't think people understand the total extent of it, it's not just that the whole earth is going to get warmer, storms and all these extreme weather events are going to become more prevalent and more extreme, it is scary.
"I was about 9 years of age when I was learning Tin Whistle with a neighbour. Then my father bought me a Fiddle, he was a Fiddle player anyway. He started teaching me a bit on it. So he went to Waltons in Dublin and bought me a Fiddle for 14 pounds."
"I had a group called the Arkinsaw Travellers playing around Dublin. I went and bought a George Jones album in Dublin and I couldn't believe the Fiddle playing on it and that's what changed me from traditional to country."
"Gerry Madigan approached me to join the Cotton Mill Boys, but they would have being on the road from '69 anyway with Mick McManus. I came in, in 1974. It was in '76 then Opportunity Knocks arrived. We won it three times as a competition."
"'There's something here' says Hughie (Green) about a dancing Fiddler. Gerry Madigan stood up, he says 'that was Mick McManus and he's gone but we've a new Fiddle player'. 'Oh' says Hughie, and can he dance!? No says Gerry but he can play the Fiddle behind his back and under his legs. 'Oh let me see that' and then Hughie looked at it and he said wait till I get a tape recorder, and he went off and got a tape recorder and taped me playing it. That was before mobile phones. The next thing was we got the word from our office, that we were in, we won the contest. because there was several bands on the day. That sold the show to Hughie. The funny thing was he says we'll put you on with the orange blossom special and then the following week you can do the turkey in the straw, he more or less told us we were going to win."
"We spoke to him. He wouldn't be as funny as you'd see him on the television. I think Hughie Greene was more of a character off screen than Benny. Benny was more the man with the briefcase and the pin stripped suit. You'd think he was a solicitor coming in. He just took a look at the band in the dressing room, to meet us and say hello. He says 'lads if wore a suit like that I wouldn't need to tell a joke at all'. We had a country outfit on us, it was a Purple suit with creamy sort of stuff on the shoulders. Inserts. Typically country outfits then. We just laughed at him, passed no remarks, say nothing. So then he introduced us onto the show, no audience there and he says where's them Cotton Mill Boys, I believe they're good. it was a great chance because he never used a live band."
"It was unbelievable.. it was the biggest venue you could play really. For the Irish bands anyway. The Galtymore would be huge. You have a balcony there full, and there could be oh I don't know, 1,200 on the floor area alone, not counting then there's a hall adjoined to it where there's another band and they'd be moving from one hall to another. I think the police were on horseback there when Big Tom used to play it. Guarding the crowds, the queue on the street."
"It turned out that I was more on Harmonica a lot of the time than Fiddle in recording studios. I played Harmonica on a lot of stuff. It's a great instrument the Harmonica when you want to fill in where the Fiddle doesn't work."
"I had the pleasure of meeting John a good few times, the first time I met him was in Nashville and I ended up sitting beside him at a dinner. You know the way you'd be in kind of awe, god I'm sitting beside John Prine you know! We got chatting, we had 3 hours of a conversation, at the end of it he said, are you going to the show tomorrow, what concert is that?, the Chieftains are in Nashville tomorrow, we're all going down there. Well I haven't got a ticket, don't worry I'll get you a ticket, I thought that'd be the end of it. So I was sitting in the lobby in the hotel the next day, here I see passing the glass was John Prine, holy god he's after bringing me the ticket, I ended up sitting with his wife Fiona at the concert, then he brought us back stage and we met Ricky Skaggs and the nitty gritty dirt band, that's the kind of man John Prine was."
"My granddad was McGettigan. He was from Donegal town. We grew up in Ballyshannon. My father was Pat McGettigan. We had a small grocery store on the main street in Ballyshannon and you know I've being sort of working on looking back at my history and at that time in Ballyshannon it was a thriving self sufficient town. It was one of those towns that no matter what you wanted you could get it. Nobody had cars so nobody had to go to shopping centres, there wasn't Tescos or TK Max or any of those things. Everybody got everything in the town. Your groceries, your clothes and I was just counting up the number, there was something like 17 grocery stores in Ballyshannon at that time, I think there's just one grocery store there now. There was 15, 16 pubs as well. Loads of employment loads of people working in Ballyshannon, between the ESB and Mulligans Miller's and all kinds of different things. All gone now, it's a bit scary when you think of it."
"The thought of winning never really occurred to us, that we'd win this! We were what, a piano and a guitar, a couple of fellas singing. No orchestra. No dancing girls or flashing lights and we thought well this is the way we're most comfortable. Paul's a great piano player, great singer and that's just the way we were. I was the same, I could go out and play with the guitar and sing. I didnt really ever much have a band. It was normally just me and the guitar or Paul with just the piano."
"The first time we sang the song was on Pat Kenny's Saturday night programme. We rehearsed in the afternoon for the first time. We spent about an hour rehearsing it and we sang it that night on the show. It was never ever sung the same way twice, if you listen to any performances we did, there was always something added or something left out, we'd wink at one another say I heard that mistake but you know it was great. Of course then we won, our lives were actually changed. I didn't realise it would make such a difference to our lives. Suddenly we were on a treadmill or carousel of Europe. We literally spent the entire year touring Europe, going over doing tv shows and concerts, half of the places I never knew they were there."
"I've been a Leeds fan since 1968 and as all young boys start supporting teams, I supported Leeds since they won the league cup in 1968 when Terry Cooper scored the goal against Arsenal. The 70's was a very good time for Leeds, they got to the semi final of the European Cup and we had some great times during the 70's as well although one of the down sides was the famous cup final against Sunderland. When Ian Porterfield scored the winner for Bob Stokoe's side. That was one of the biggest shocks in football at the time."
"I didn't even know about it until my testimonial in 1988 where there was interviews in the programme from ex managers and the late Busty Blake god rest him was writing in the programme and he said Leeds were over to look at me for a second time when we were playing St Pats up in Inchicore in Dublin. Unfortunately I got my ankle broken in two places in that particular game and it fizzled out. That was 6 years later that I found out about it. Busty told me me then at the time that he didn't want me under any pressure."
"I was actually over on a trial at Wolves for a week when I was 18. Wolves actually asked me to go to Switzerland with their under 20 team that season. I was then with Swilly Rovers and the club wrote for permission to the FAI and they didn't give me permission to go to Switzerland with Wolves because I went over to England without their permission in the first place. I was in the Irish youth team at the team and they actually suspended me for the two home games against Finland and Holland as well."
"I think Ollie has done a remarkable job since he took over the reigns at Finn Park. He has kept them up. I would agree with what he said himself, keeping Finn Harps in the Premier was a bigger achievement than getting promoted. To me Ollie is probably one of most dedicated Finn Harps managers that there ever was. Ollie most certainly does his homework as regards opposition, he does his homework as regards players that he can get in."
"There's only one record left and it'll never be taken off me because I was the first Donegal player to score over 100 in the league of Ireland. As the man says, that'll go down in history whether I'd like it or not!"
"Brendan's record in my opinion will never be broken now. The one that got closest to it was your man Byrne from Dublin. He actually prolonged his career into his 40's to try and catch up but he never did. The style of play now I can't see too many any centre forwards getting anywhere close to Brendan's record."
"It was written by Johnny McCauley, who wrote a great deal of Irish songs or songs for Irish singers. Primarily Big Tom, Brian Coll I suppose to a lesser extent. Tom recorded most of his songs. He's written countless, Destination Donegal, Pretty little girl from Omagh, Cottage on the borderline, Four country roads, the list goes on and on and on. My Donegal Shore, big Tom had recorded that and a few people recorded it. When I started with Margaret, I started signing it. I heard a woman singing it, Bridie Cahil, I hadn't heard it before that. One night after a dance we were all sitting round and there was a sing song got up and Bridie sang my Donegal Shore and I loved it. So I learnt it and started singing it in the band with Margaret and it always got a good reaction."
"I Need You, I recorded in 1985, going into '86. That song was the first to get a lot of airplay in the UK. It got played a lot on Radio 2 and that sort of got me an audience over there. It was very important. It was actually given to me one night after a dance in Ballina. A girl came and she says 'I've a song that I think will be nice, I'll record it', it came on a wee cassette tape. It was crackly but I could hear the song. When I went into Mick Clerkin who was on the record company that time. I went in and Mick says, I've a song for you, and it was the same song. I recorded it, and it became very popular."
"John (Prine) wrote that, him and Roger Cooke. It was a great song. I recorded that in 1992. That was the year Donegal won the All Ireland and actually the week Donegal won the All Ireland, I was on Top of the Pops. I remember being in Dublin on the Saturday night and I had just being on Top of the Pops, and I came back home and there was such a buzz. Everybody was aware of the song, especially the Donegal people and I was going round the different places in Dublin, Donegal was in Dublin, everybody was in Dublin. And there was different places where they were gathering and I went in and I was singing I Want To Dance With You. It was just such a fun time."
"That was just a day during the festival in Dungloe. It started back about 1989 mabye? The first year we did two shows at the festival. People came in from outside the area to it, this was in the dome. I was away from the house and when I came back my mother said, 'there was different people came here today to see you' and that night, on the monday night I was on the stage and I said I know some of you called today to the house and I wasn't there. I find that when you're doing a concert at night, I don't like to be talking all day, I just rest my voice during the day and I said to them, I won't be there tomorrow, explaining why but I said if there's some of you still here on Wednesday, if you come down about three o'clock, I'll make a point of being there and jokingly I said sure we might even get a cup of tea. That's how that started. People were thinking 'God who thought up that great publicity thing'. As I was on the stage thought about it and that's how it started. That first day I don't know how many came and then it went on from there. The last one was about the year 2000. There was thousands of people came. There was too many people then, the whole purpose of it was that I would meet people at home but in the end I wasn't meeting a fraction of the people. But it was great, a few times there was Sky news and CBS and NCB and all different news channels came to see this thing that was going on away out here in the wilds of Donegal."
"I've being to a few (golf courses), God I can't remember some of the names really. A few years ago some of the band played, when I had the old band. Billy Burgoyne and Ronnie, Kevin Sheerin played too, and Pauric. We used to go out. We played in Australia, we played in New Zealand, and in America, loads of places, and it's a lovely way to spend an afternoon, if you've time off. It's a great past-time the Golf. We're so lucky to have Cruit and indeed Portnoo which is not far either. I would play more in Cruit, the scenery is spectacular. It's just second to none. I've being lovely places, but nowhere nicer."
"She really is a great character, Marie Rua. And a great friend as well. She so loves her music and knows all the singers and everybody knows her and everybody loves her. On Highland Radio too she became a personality in her own right and has a great story. She was working in the buses in Glasgow and worked in America."
"A great past-time, I absolutley love it. Now I don't always get it right but when you go to play with really good players they just leave you with nothing, they just whip you but it really is a great past time, theres no doubt about it. The whole pack goes out and then you bid according to points, you have 4 points for an ace and 3 for a king and 2 for a queen and 1 for a Jack. If you have 12 points then you can open the bidding. You bid as to what contract you can make, how many tricks you can get. By you bidding, you don't say what you have but your partner's able to figure out from what you bid, what you have, how many points you have and what contract you should be in. It's great. I love it. It's just great for the mind."
"Patsy (Cavanagh), I mean he's written of lot of good songs but Home To Donegal is absolutely fantastic. I'm not the only one to have recorded it, Mick Flavin I think was the first, Domnick Kirwan and loads of people. I suppose being from Donegal I had the wee grá for the song and maybe that was an extra feather in my cap when it comes to the song. No matter where you sing it, if I drop out, the audience sings the chorus, it's amazing, amazing!"
"Well we love Tenerife, we've sort of gone there an awful lot, we love Tenerife. But I was a place recently, called Rovinj, it's in Croatia and it's absolutley beautiful."
"I remember it well. I suppose any time an Irish person does well, we're all there to applaud them. And I watched it and I found out he was coming home. I phoned up Gerry Ryan, he was on with Gerry, God rest Gerry and congratulated him and then just made my way to Rathmines where he's from and there was a big big gathering there and eventually got into the pub where he was, he took me round then to his home and met his mother. I just think that we should celebrate people's achievements, always. If somebody achieves, it's important to rise them up and make them feel their achievements. He's had a great career and gave a great lot of joy. As well as his achievement, all of that lifts people you know. It lifts people when somebody does well. A World Championship, the whole of Ireland was lifted those weeks."
"I probably have a good memory but I have to say that I can remember things from a long time ago better that I can remember things recently. So that's a sign of the times mabye, that's a sign of age but it's amazing really, I suppose I can go back in my mind to people and places over the years and I suppose that I'm just lucky that I can do that. Some people can and some people don't get it as easy. That has being a nice part of the whole career for me, I've got to know an awful lot of people."
"I recorded this back first of all in 1984. I was singing it before that. John Glenn had recorded it, it was written by Maurice Soy, God rest Maurice from Co. Down. I heard it and I loved it, and I started singing it in our own dances and then I recorded it and it just was another of the songs that people associated with me even though I wasn't the first to record it again. But it really did catch on. Children funny enough like this song. Often if I go into a school, this is the song they would sing. There's always a fire in the kitchen. Funny enough it's called our house is a home but people always say will you sing the fire in the kitchen. It's of a time, obviously it's probably outdated now because there was no phone or no this or no that. And really growing up that was the way we were. We had no phone or no fancy things but we certainly had the comfort of love and a loving home and that was more important."
"It's a great honour, my job is an easy one really. Because all I've to do in many respects, is guide things that are already happening and tell stories about people who are making their own success. It's all joy, there's no hard work involved in it as such. It's a great privilege to be involved with a group of people who are doing amazing things."
"It's an absolute credit to the nature and character of Irish people wherever they travel, one of the great successes that we have is that we assimilate so easily. We get into the groove and we make a success of it generally speaking wherever we go. In many respects it's no accident that that's the way it is because whether you're in Australia or America or Canada or England, generally speaking somewhere between 20 and 40% of the population is descended from Irish people on one side or both. There's a level of familiarity there. Not only that but a fondness for Ireland and all things Irish, a great affinity that runs strongly in Australia."
"I spent about 3 months living in New Orleans, just working in a hotel. You knew you were in a foreign country. Everything from driving on the wrong side of the road to the way people talked to the type of food you could buy in a shop, you knew you were away. I said to someone when I came here first (Australia) they were asking me 'How you settling in? How do you find it? Is it very different? And I said you know if it wasn't for the climate and maybe the accents, you would mistake it for being Ireland. Same food in the shops, drive on the same side of the road, same sort of easy way of going on. There are differences don't get me wrong but it's an easy place to live from that perspective."
"It's not an easy life here, you've gotta work hard. People here work very hard. They work long hours at their jobs. People have a perception that you're sitting on the beach half the time or you're at a barbeque the other half of the time, it's not like that at all. I live an hour from the beach and I couldn't tell you the last time I was there. You work hard at your job. There's no shame and there should be no regret about having giving something a try and it not working out."
"It's a busy job. I work 60 to 70 hours a week. It's very intense in terms of not just dealing with the media, dealing with the policy and the legislative agenda. But all the political stuff as well in terms of just managing community expectations and giving the right advice to the minister of the day and getting the agenda through. Covid-19 has well and truly added an extra level of complexity to that. We've being very lucky in Australia and in Queensland in particular, we've had a very good run of it relatively speaking with Covid-19. Part of that was being, they were very quick to close the borders, not only the international borders but the borders between the different states and territories within Australia. Obviously in my role, with the transport minister, we had to figure out back in March (2020) and the decision was made. Right, we're going to close our borders in Queensland to the rest of Australia. Nobody in or out, the last time that had being done was during the Spanish Flu in 1918."
"I don't think my mother or myself have missed an opportunity to tell any parent who we've met since then, who's got a child with arthritis to make sure to get regular eye exams because that never happened for me. My doctors never told me about the eye condition, never told me about the risk, with the result that I never had an eye exam. I remember then I was probably 8 or 9, about 4 years after I had gotten rid of the arthritis (via treatment) I was still in national school, I was in 2nd class I think and just started having real trouble reading the blackboard and it was blackboards back then, not the fancy technology they have nowadays."
"Eventually after a few months, I ended up going to a guy out at Lifford, Dr Coyne who was a GP in Lifford but had done some training in Ophthamology, and he took a look at me and said you've got some serious complications going on here, you need to go to Dublin today. You need to go into hospital in Dublin today. And basically the following day I was in theatre being operated on. At that stage I had chronic Uveitis in both eyes which had being untreated for a number years and that meant that I had developed Cataracts and Glaucoma in both eyes. It causes pressure in your eye, it can cause it to either increase or decrease. In my case it caused it to increase too highly and when that happens it damages the optic nerve, so it's an eye sight threatening disease, and basically that day that I went to Temple street hospital in Dublin. My pressure in both my eyes was sky high. I was at risk of losing the eyesight in both my eyes. Very fortunately came under the care of professor Mike O'Keefe at Temple Street Childrens Hospital. Just a phenomenal gentleman. Has being one of the greats lights of my life in terms of not only what he did for me but just the whole way that he approached his practice, so humble, doing all this amazing work for children. But still so humble and down to earth. So I stayed under his care until I was 16. I was counting the other day, I think I've had between 25 and 30 surgeries on both my eyes, have had 3 Corneal transplants on my right eye. I guess the washup of it all is I don't have any useable vision in my right eye at all and I've corrected vision in my left eye. I'm fully functional as I say. I can go to work, i can do my job, can enjoy life and all of that. yes no doubt I have plenty of limitations, but lots of people have limitations and lots of people have limitations that are more severe than my limitations. You just gotta put your best foot forward and get on with it because life's there to be seized."
"I think most players now are very much pro Barry. Not least because they've checked their bank balances in the last few years, and they've gone up. When he first came along I think a lot of players had sort of gone along almost treading water and the minute he started to change things, they became a bit fearful about how it might affect them. Mark Allen was quite outspoken initially but I interviewed Mark a couple of years ago, just before he won the Masters. I asked him now that he had time to reflect several years on what he would give Barry out of 10 and he said 10 for the changes he made. You can't please everybody but at the top end I cant see any reason to complain because the prize money has gone up and the really good players are earning a lot more money than they were. Obviously at the bottom end it's a different story, but in any sport that's the case isn't it? If you're not winning you're not going to be earning."
"Barry, he's an ordinary bloke. He came from a council estate, he understands what ordinary people like. Snooker and Darts, they're working class sports. He's very good at packaging it up, making it an event, making it something you want to be part of. You see it on TV, you think I want to be there, I'm going to buy tickets to the next event. He's got the sort of common touch but also obviously a great business man. He started out as an accountant. He's obviously close to a pound note and runs a tight ship. He puts on these events and in all sorts of niche sports, I mean he's made fishing a TV sport. It's quite incredible! I think we're very lucky he's come along in the last few years."
"Obviously the value of Eurosport is it goes out across a whole continent. We go to something like Sixty countries. A lot of these countries had never seen snooker until mabye 10 years ago. They've discovered what we sort of knew already in the UK and Ireland which is that it's a perfect TV sport. Obviously there are people that don't like it, we won't talk about them, but plenty of people do. It's kind of spread it's wings now. Players have noticed in recent years when they go on holiday, instantly they'll go to Spain or Portugal. Suddenly in those countries they're being recognised. Whereas 20 years ago that would never have happened unless it was British people they were meeting or Irish people."
"His place in the history books is not just confined to winning it which he did 15 times in a row, he also essentially started it. He was the driving force between actually getting a professional tournament on because in those days the leading cue sport was Billiards, and the Billiards community were very sniffy towards snooker which they saw as a bit of an upstart. The fact that he got it on, the trophy that is still presented to this day he went out and bought using half the entry fees. He's a very important figure. The amazing thing about him of course is he had no one to learn from. You look at the players now, you can turn on the TV. If you're a young player now you can study Ronnie, Hendry all these people. He didn't have anyone, even to go and watch live. His father ran a pub where there was a snooker table and he and his brother Fred learnt to play on that. He was definitely a very important figure and thankfully lived just long enough to see the World Championship go to the Crucible in the late 70's. He actually saw the start of that. He would have seen the sort of start of the real television age."
"We've spent years, decades in some cases trying to figure Ronnie out as a person and in the end I think you have to concede defeat. He's a complete one off. The best player I've ever seen quite comfortably but you can't sort of from day to day really predict what he's going to do, what he's going to say and I guess to be fair that sort of keeps the pot boiling for a lot of people. A lot of people enjoy that. He brings a lot of attention to the game. The main thing is I think when people look back in 100 years time they'll look at what he's done on the table. They won't be talking about something he said in a newspaper."
"I've being doing that for a few years. Essentially it started when I wanted to do a play at the Edinburgh Fringe in 2016. I wrote a play and it got on there and that kind of started I guess my real interest in doing it and since then I've done various other plays here and there. It's something different. I spend a lot of time at tournaments and if you're commentating you're not necessarily working all day long, you might be just sat in your hotel, so it's also something to sort of do which is outside of the actual event. You can turn off from the event and put your mind to something else. I've always liked writing, I've been a journalist for many years as well. It's just something that I enjoy!"
"It's so important to us, we've only won it 10 times in the history of Donegal (as of July 2020) we didn't win our first until 1972. Brian McEniff was the only manager for those first 5 titles that we won. 1972, 74, 83, 90 and 92. Fortunately enough I got to play and win two medals in 90 and 92, I've also lost 2 or 3 finals. I think winning an Ulster title, the atmosphere around Clones on final day can't be beat to be honest!"
"Last time round, it was my 32nd birthday, I became i think the youngest manager in the country back in 1998, you were playing with some players who were older than you, you were playing along with some of the playing colleagues that won an all Ireland medal back with you in 1992. It didn't actually phase me, when you look back on it now it was a huge step to take to be quiet honest. When you're in the game long enough and I'm long enough in it now, you do pick up a lot of things!"
"The day you sit there and think I have it all achieved now or know it all, that's the first day you start going downhill again. Every day is a learning day!"
"I used to play with Finn Harps in the league of Ireland but prior to that I would have played with Irish youth teams, captained the Irish youth teams and also I was over at Celtic for a number of months, and I was actually very close to signing a two year contract, that ultimately was decided by Billy McNeil going down to manage Man City in 83. There was a 2 year contract on the table at that stage. That went when Billy McNeil went down to Man City and left Celtic."
"We beat Derry in 92 in the Ulster final, got into a semi final against Mayo which we got over the line. We came up against a Dublin team that weren't meant to get beat. I think the belief that came from Down coming out of Ulster that previous year and winning that All Ireland gave us massive massive confidence to go in there and do a good job and that's exactly what happened!"
"In 2012 you just felt they were building momentium, that they were on the cusp of something big and it was brilliant! Great to see! Michael as a young captain, think he was 22 at the time, tremendous achievement. It was a brilliant team. When you look at the defenders, Frank McGlynn and the two McGee's, Paddy McGrath in there, Anthony Thompson, Colm Anthony, Patrick McBrearty, Rory Kavanagh, Neil Gallagher, really outstanding players. A brilliant lift again for Donegal football!"
"Michael brings a lot in terms of that leadership, he's being captain of the team since 2011, he's being a real role model. The way he trains, the way he lives his life, on and off the field, he's a total professional, he demands standards and them standards are set high!"
"I was watching the Late Late show and Philomena was actually on and she was chatting away about isolation and cocooning and missing her grandkids and it just give me the idea to write the song and then I thought mabye it might be an idea to get her on board with the song, and do it as a duet, sent her on the song, thankfully she loved it!"
"Irish Country Music is what I grew up on. I grew up listening to it. All the tapes, all the CDs at home, and we would have listened to it non stop, I love it, if I'm a fan of the music, I find it easy to write for that genre, because I've listened to it for so long, obviously I write for different genres as well, for American country, Rock and Pop and different artists, in general it's Irish Country that I love!"
"She's just magical, absolutely magical, I don't think there's anyone quite like her. I've came across a lot of people in the trad world, when she plays it just lights up a song, lights up the room, it's unbelievable!"
"We had a great time of it, the problem was we got number 7 and number 9 in our first two singles which were top 10's but unfortunately they weren't high enough, you want to be in the top 3, kind of build maybe to a number one or something like that. It ran it's course in the end. We continued as a 3 piece and had a No. 1 in Japan with 'Invisible'. We went out there a few times, maybe 5 times in all and toured a bit, we had 3 albums released our there and a greatest hits. Great experience."
"He introduced us all to music. I always joke, if we asked for money for a PlayStation or new runners, we never got it, but if we asked for a Banjo or a Bodhran, no problem, he'd get it straight away. He taught me a lot about the business, even taking gigs and how to work a diary really, how to work with people."
"I think I was flying to Nashville with Aer Lingus and there was a documentary on about this walkway. I think it's the Greenway or some walkway in Mayo anyway. Along the walkway there's this famine cottage that you can go into and they do a tour. Things haven't changed, boots from years ago and there's all this kind of thing. The boy that was doing the tour of the museum for the documentary said 'years ago there was a saying, down on your uppers' The rubber on your boots were low or woren, and I just said I never heard that before, just so random, that's a great title for a song. I had the chorus written by the time I got off the plane. Then I left it for ages, which is not like me, I left it for months and I was getting the Fire album together and I said look I'm going to have to finish this song off, once I got going on it then, I started thinking about being a young lad, it was quite easy. The hook is down on your uppers, you need new boots, it's almost like a nursery rhyme really you know."
"She lived for her kids, I suppose in a way she was the link between everyone, I suppose it's the same for every family. Mammy was the link between me and my sister in Paris. When I was living in London with my brother at home, and the rock for everyone too, of course she was interested in my career and she was very proud, but she was more about your well being."
"It was just getting physically ready, it was just building that mental strength up and as the seasons went on. It was just building that mental resilience which we didn't have. It was probably a combination of both. We were built on a bedrock of physical fitness, that was the foundation, and you had to lay the belief on top of that then."
"For me personally there's a lot of jealousy, and they'll be very reluctant to give him credit. The genuine football man that knows football and knows coaching, knows that the achievement he done was massive. To take a team I think were placed at 18 or 19 out of the 32 in the overall rankings, to take them to the top is a serious achievement in any sport."
"I'm always keen to remind Murphy of that any time he gets plaudits for the goal 'Only for me now' I was in good form that day. Probably one of my better games for Donegal and lucky enough it was the All Ireland final. I knew in the morning time that I was going to have a good game because I was just in that frame of mind. I've very seldom being in that frame of mind. I got the hand in thankfully and laid it off, and the goal, it was actually just a training ground move. Tight defending, move the ball at pace and deliver it in to the diagonal ball we were working on. Murphy just did the job, unbelievable finish."
"It was incredibly special for us to bring Sam back. It's something that we dreamed about our whole life, as sports people, as Gaelic footballers. It was great to bring the group into Gweedore and have Sam Maguire coming into Gweedore but it was unfortunate that Kevin Cassidy wasn't part of that group. He had dreamt the same amount as the rest of us and wanted it as much as the rest of us. That was the only negative about the Sam Maguire coming into Gweedore but the memories itself it was just unbelievable. Only when you think back on it now, probably went over your head at the time, how much of a buzz that was there."
"There was a bit of panic. I went into Sharkeys, I think we were there on the Wednesday, I went into Sharkeys for a few settlers. The panic was on then that I wouldn't be back in time for the cup coming into Gweedore. I was sure and I'll tell ya, Mum made sure I was there too."
"We just never got to the level. It was a combination of Kerry bringing a good gameplan, making it hard for us and us I don't know? Did we take it for granted? We just never got to the level that was required. Probably thought there was an element of the job done by beating Dublin. It would have being different if we had lost to Kerry with giving 100%, saying that's it, we've done all we can but we lost to Kerry without knowing, that we didn't give it our best. That's the issue I have with it. It was a tough few weeks afterwards and a tough few months. Still even to this day it'll make you glimpse at the thought you lost the All Ireland final. When you consider the likes of Mayo, have lost All Ireland finals, and dusted themselves down and came back at it. That shows a real strength of character. For them to be able to do that, a resilience."
"They're lovely people, lovely lovely people, but in order to win an All Ireland they'll cut your throat for it."
"Healy Park, Omagh. Just can't take rain at all. Anytime it's wet or there's a skip of rain it just turns into a mud bath. It's either that or one that springs to mind now we're talking about it, Pearse Stadium. It's the most cold soul-less stadium I've ever played in. In terms of playing surface I'd probably say Healy Park but in terms of a stadium and a grounds I'd say Pearse Stadium in Galway."
"I don't think anybody was in too much of a rush after me giving them abuse for an hour or so, to give me their Jersey. I think I have the Gooch's jersey. I don't know where it is now. Gooch or Sean Cavanagh's jersey is knocking about there."
"It was a lovely, lovely experience. Probably one of the few times that you savoured the atmosphere in Croke Park. For the last 5 minutes that you were going down the home straight and you knew you had it won and you were able to soak in the atmosphere, it was a lovely feeling, definitely."
"I'm from Longford area. I actually grew up in a place called Roosky, that's where I spent most of my childhood. It's actually right on the edge of Longford, Roscommon and Leitrim. Obviously I would have spent a lot of time in Leitrim, like Carrick On Shannon when I was younger. I think it's a really beautiful county. I do think people go there but I think it's get a bit overlooked in terms of like other coastal counties because it's in the Midlands. But its really really a beautiful place. There's like Lough Key Forrest Park which is lovely hikes, really really nice forestry area, Lough Allen, obviously Carrick On Shannon, Cryan's Pub in Carrick On Shannon is great food and great for good Irish music. You see really good people playing there."
"My mom is actually from a place called Rhode island. It's actually the smallest state in America but it's called the ocean state because the coast line is very big on it. It's really well known for seafood. There's a place called Newport in Rhode island which is a very very wealthy area. You can go see mansions there. It's just a great place and it's only 45 minutes from Boston."
"Me and my boyfriend and a couple of friends decided to do just a little bit of a Wild Atlantic Way Drive. We went up to Donegal to start. I was absolutley blown away by how absolutely beautiful Donegal is. We drove straight up to Malin head on the first day. Obviously a very popular place for people to go, because it's the most northernly point of Ireland. I seen pictures of it online but when you go there in person it was just so much more beautiful than I could have even imagined."
"A lot of people are worried about food say sometimes when they go to South East Asia, but in a country like Thailand there's like every type of food you can think of. Unless you're in like really rural places, you can even get McDonald's or something if you need it. It's a good place for people who want to go somewhere a bit different, mabye somewhere in South East Asia, but are not 100% sure how to feel about everything."
"Vietnam is a bit like Thailand in the sense that there's like really cool food, temples, all that kind of stuff. More people are going to Vietnam now than they ever have before. It's a little bit less touristy than Thailand, it's a good bit cheaper than Thailand. A lot of people are going to Thailand at the moment so they are raising prices a little bit. It's still quite cheap in terms of like compared to Europe but Vietnam would be that much cheaper.
Honestly coffee there is amazing, I've never had coffee like I had in Vietnam!"
"Singapore is just one of the most amazing cities I've ever visited in my entire life. It's so futuristic. It's like New York but it's better. It's cleaner, more advanced. It's not as big as well. I think New York is 170 times the size of Singapore they said. It's quite small. The hawker stalls are probably one of my favourite things about Singapore. The hawker stalls are amazing. Some of them have over 200 stalls in the area. And some of them even have Michelin stars, it's pretty cool. You can eat there so cheaply. Anywhere from 1 dollar to maybe 3 dollars, which is like 50 cent to 2 euro mabye for a full dinner."
"I would have to say that my favourite country I've ever being to is New Zealand. I could literally talk about New Zealand all day. A few things I think is worth noting in New Zealand. The people are so nice, so welcoming. They're very very like Ireland people. I find in general New Zealand is the most like Ireland place I've ever being to without being actually in Ireland. You kind of get a sense of home when you're there if you're an Irish person. I think there is a bit of an Irish community there as well which is quite nice for anyone if you wanted to go live there long term. It's kind of like Ireland but tropical. It's very green, it's probably the most beautiful country I've ever being to. When you're driving round New Zealand, its basically like you're driving through post cards. You're literally looking at places and if you take a picture it looks like you're standing in front of a green screen, you're just like that can't be real. Your mind is like, how can it look that amazing."
"A lot of my followers are from Donegal but I've a huge number of followers that are originally from Donegal but have moved away and now live in the middle east or Australia or the US and they do message me daily just saying how thankful they are to be able to see a wee bit of home. I lived away from Donegal for the last 15 years before I moved back here and we are so so blessed. We don't realise when we grow up here how lucky we are to grow up in such a beautiful place. I feel so honoured to be able to show it off!"
"The majority of people I speak to, if you're up in Inishowen, they know very very little about West South Donegal. If you're down around here (Dungloe) a lot of the time they know very little about up around Inishowen. We can drive for 3 hours and still be in our county. It's not surprising I suppose that we don't know too much about it. We know the areas we live and we work and we see everyday, but bar that I suppose you do have to make a real big effort to go and explore those places."
"We all go to other countries and we explore everything they have. We all want to do the top 3, 4, 5 things in each of those countries of the areas we visit. It's very rare we do that in our own back garden, that we actually explore the top 5 things to do in Dungloe or the top 5 things to do in Inishowen. That's what I'm trying to do!"
"I've done 6 group hikes up Errigal now in the last year and a half. I have never done a group one up Muckish. Errigal I suppose is a much easier hike to do in terms of the weather and planning it and taking a group up. So you have a marked route the whole way up, it is a little bit longer than Muckish but it's not as steep. It'll take ya mabye just over an hour to get up to top of Errigal. Mabye spend 15, 20 minutes up at the top. It'll take you 40 minutes or so coming down. Coming down is nearly harder because the gravel underneath your feet can go very quick. A lot of people, myself included and I don't think I've ever come down and not ended up on my bum! Going up Muckish is quite different, going up Muckish is much steeper, this is the miners path. Miners path is the only path I've being up, I haven't being up the other side of it. The miners path is much steeper but you're be up much quicker. So you'd be up within 40-45 mins to the top of Muckish but it's a really steep climb. It's definitely tougher steepness wise. When you get up to the top of Muckish as well, so it's a big flat table top surface on it. The cloud can come in there very quickly with no warning on top of you so a lot of people end up having to call mountain rescue. You have to be so so careful on the top of Muckish."
"I went out with Inish adventures there in Inishowen around the Dunree caves, in the kayak! So many people have done that since and tagged me in it and it's so lovely to see other people enjoying that too and visiting the different wee restaurants and hotels and doing all those kind of things, I love it. Love seeing that!"
"Rathlin Sky is probably my most famous song. I wrote it about my father. When he was a young man he use to fish lobsters around Rathlin O'Byrne Island which is just off the coast of Malinbeg, when we were wee children, he used to take us out on the boat and we'd give him a hand hauling the pots. Maybe if there was one pot that he knew they were guaranteed to get a lobster in, he'd get either myself or one of the younger fellas to go up and haul it, great fun and great memories like that. That's the reason I called it Rathlin Sky, he done most of his fishing around that area."
"There was about 30 houses in it, there wasn't one of those houses that we couldn't just walk in the door, you could start at the bottom, walk the whole way to the top of the village and you could go into every house and they'd be asking you what news is going down the town today. They used to call it the town, it was only a wee village. It was like that everybody was just like one big family, it was nice, everyone looked out for each other."
"It's going to a compilation album of I would say some of my best songs and I'm also writing some new songs for it as well. A lot of my songs are influenced about living at the edge of the Wild Atlantic!"
"I thought it an awful pity that nobody ever wrote any song about the Carraig Una, I was listening to some interviews done by relations from the crew on the Carraig Una, there was this lady talking, I think she might have being a grandmother of one of the young fishermen. She said in the interview, she hoped that they'll be remembered and never be forgotten, once I listened to that interview, I could hear it in her voice, so I wrote it down anyway and thanks be to god it's become very popular."
"I came from a big family, we had a lot guitar players in the family and I would say my older brothers helped me a wee bit, I've brothers Kiaran James, they done a wee bit of songwriting so it kind of spurred me on. I wanted to be as good as them. I really likes the likes of Christy Moore, when I was growing up then I was mad into Pink Floyd and Roger Waters and David Gilmour. They were two main writers. I like the acoustic feel to their music. Another fella, I have to mention him is Pat Gallagher, when we were growing up as well, the Goats were fairly big at the time and I couldn't believe how good the songs were, those type of songs will last forever!"
"Myself and the wife we go to a lot of concerts, away back years ago we went to U2 in Dublin, actually went to see them a few years ago out in the Indianapolis Colts Stadium. Well I was never more proud to be Irish in my life. They actually blew the crowd away, these bands nowadays there could be 20 or 30 people playing music behind the stage like that, but it was just these 4 boys came out, just drums, guitar, bass and singing. They just rocked the place! it was brilliant, it was class!"
"If Pope Francis hadn't become pope, I would not be talking to you as Fr Brian D'Arcy. I would have being sidelined out of the church. I know that Pope Francis is trying hard, not always succeeding but the holy spirit is with him. Every human institution has it own rotten core, no matter who it is, no matter what it is, because it's human. Careerists in the Vatican are no different from careerists anywhere else. There are some good men and some other people who are not. The problem that there's too many men and not enough women. It's outlived its usefulness in its present status. I'm not saying anything about the Roman Catholic church, I'm saying about the Vatican Bureacy."
"Pope Francis is changing the face of church very slowly, not quickly enough for many people. He's doing the best he can. It's a big ship that he has to turn and for a man of his age I think he's fantastic and I pray for him every day."
"I have found the hand of god guiding me especially when I was lost. When we're not lost we think we don't need god. We often experience the hand of god most when we're lost because that's the time when we're open enough to being helped."
"The one thing that we say about God is that he'll will never be outdone in mercy, compassion, love and understanding. Never be outdone. He knows my thoughts better than I know them, he knows your thoughts better than you know them, he created you he created me. He loves both of us. He died on the cross for us. He rose from the dead to ensure us and he ascended into heaven just encase we'd have any doubts about where we're going."
"Brendan and the Royal started off and invented an industry that eventually had 10,000 full time employees in it, the showband industry. They were 10,000 people fully employed in the showband industry in the 60's and into the 70's. They were the people who started it. TJ Byrne was their manager, the Royal were all young people. Clipper Carlton were the first showband but you could really say that the first professionals were the Royal. It was such a big thing that the Beatles were the opening act for the Royal showband would you believe and after the show, Lennon and McCartney, both of them came round to Brendan and said 'did you hear our act'? and he said I did. They said well what do you think of it, do you think will we make it!? And Brendan with great diplomacy said 'yes of course you'll make it, but for me he said I like the songs you wrote yourselves better than other stuff that you did'."
"Brendan goes to Las Vegas and a man with a walking stick comes up in the middle of an Elvis set one night and begins to poke him. He was dressed up in a hat, and a stick, and a cloak on him, nobody knew who he was. The man was Elvis Presley who went into see Brendan Bowyer in a disguise and the next night he came back as Elvis. He said to Brendan, 'Come up to the suite' and he brought the whole band up to his suite in the Holiday Inn, top suite of the Holiday Inn and he gave him a drink, and he said to Brendan 'I loved the set that you did of me, because you didn't try to imitate me, you just were yourself singing my songs and I love that. There's one song you sang tonight, I don't know where you got it, I would like to record it'. What is that said Brendan. Elvis replied 'This Time You Gave Me A Mountain'. Brendan explained to him that it was written by Marty Robbins, a great country singer. Elvis didn't know that. Elvis recorded it and it became a million seller. He first heard it from Brendan singing it in Las Vegas."
"He and Cash were great friends. 'Sunday Morning Coming Down, nobody would record it until Kristofferson hired a helicopter and landed in Cash's backyard. The police came and Cash wondered who this fella was, they thought it was an attack. Kristofferson was an Air Corps pilot, he was trained. Kristofferson said 'There's no other way that I can get to you, this is a song thats going to make a big hit for you. Cash said to him 'If you're that serious about a song, I gotta hear it!'. The song that he did hear was Sunday morning coming down. Cash and Kristofferson became really, really close friends after that."
"It's a memoir and probably could well be the last book that I'll ever write. I just wanted to do it while I still had the health to do it and wanted to do it and various people wanted me to do it as well. For my family, just to put it down, exactly as it was because some events in my life might have being open to interpretation by others and I wanted to tell the truth about the various ones."
"I've given all the profits to the homeless charities, so far I've being able to distribute just under €20,000. (As of June 2020)."
"Fermanagh were playing Kerry one day and we (Fermanagh) didn't win, put it that way. Pat said to me as only Pat can say to somebody, "You know Brian, Fermanagh will never win anything" I was about to hit him and he says, "People play football the way the way the people of the county are. Fermanagh are afraid of a friend any anybody and they'll never win anything. Teams that win have a steelyness that'd walk over you. It comes from Kerry, it comes from Dublin, it comes from Meath, it comes from Galway, comes from Donegal and Tyrone. Look at the counties that have won All Irelands". It's an extraordinary accurate point. When I drove myself home, I was not angry with him. I was very glad that he pointed out something to me. Maybe it's the water, maybe it's not but there's a kind of an easy-goingness about Fermanagh people that is gentle and good, it also like every quality has it defects."
"Very humble by it, absolutley. It came out of the blue to me. I didn't know what it was about. In fact I thought it was a scam to tell you the truth! I was getting emails from them saying you have won such and such. As soon as I see that, I think awh that's a scam, I just bin it you know. I binned it about 3 times and then I was cross referenced in an email to people that I did know saying 'we can't seem to get in contact with this character'. I apologised to them because I did ignore their first couple of emails!"
"Even this year I've noticed people maybe who have left the faith for a long time and suddenly kind of came back to it because of the Covid-19 and because of the online experience of prayer that they had. Some lovely testaments to what happened this year as regards people's faith and maybe in the middle of worry and a feeling of isolation and desolation that they actually found something very precious that they're holding onto. That's definitely happened for people and there have being a few that weren't people of faith that joined us and have discovered something, so that's lovely to hear as well."
"Everyone knew him as Gaga. That's what he known as by everybody. He was a force of nature first of all. He loved to upset your day, that was one of his main objectives he had when he came to visit you. I didn't get to know him properly until we went to South America. I had being out there for a year and he came out the following year. That's when we spent time together for the first time. It was the beginning of a very strong friendship. We both played a bit of music. He was a genius on the wind instruments. He could play anything. He could play Peruvian stuff after listening to it for about 20 seconds. I couldn't get over it, and not only that but he could play it in whatever key they were playing in. We had some great evenings playing music in South America. Going off together and visiting different parts of it. He was a man of the people, without a doubt. He was hugely intelligent."
"Sometimes you know exactly what you want to say and other times you're looking at the readings and my question is what is God saying to the people of Burtonport today? That's my first question when I'm reading the readings and sometimes I get nothing. Sometimes I'm looking at the readings and I'm looking and I just cannot see what is the message that is for the people that I would be speaking to today. I'm very conscious of the fact, it's not what Pat Ward thinks, it's what God wants to say through me. That's what a sermon is. It has to be based on the scriptures. You're trying to use it as a modern language and maybe give people a thought for the day."
"I think all the songs I write anyway Tony are all stories. Most of them are about things that's happened to me, or things thats happened to the family or about the family. And obviously I've written quite a few songs for Al about how I feel about him."
"It's a song I never ever meant to record. I had written a song, it took me many years after I lossed my mum, to be able to put on paper exactly how I was feeling because I was devastated. I had recorded it at home and put it away in a drawer and Al heard it. And he said to me one day 'you know you've got to get that song out there and let people hear it. So many people are feeling exactly the same way that you are'. So I decided to go into studio, record it and boy am I glad because it was no 2 for I don't how many weeks over in New Zealand & Australia. The only person that beat me over there was Michael Jackson when he died! He out done me! It was a huge hit as well in Ireland. It was amazing. It helped me a lot to know that so many other people were getting something from the song."
"Everytime you used to go into Al's mum and dad's house, his mum would always be sitting on her chair at the fire, always a big welcome when we went in. He said to me one day. I miss going in. Seeing my mum's chair empty; I wish I could put it in, in a song. I wish I could write down how I'm feeling. And he went away out and had a walk with the dogs. And I was baking, I was actually making scones. I took off the pinny, lifted the guitar and by the time he got back I had the song written. And i said is that anything like what you were meaning, he said it's exactly how I was feeling. That was written for Al's mum."
"Well it's a gift Tony, I don't think that I'm anything really special to be honest, its a gift thats being given to me by the man above and I hope that I have used it in the right way."
"I met my old accordion man when I was 8 years old and my parents were farming people, dairy people. And once a month there would be a dance in the local hall, the local village hall. And mum and dad used to go to it every month when it was there. And i kept saying to them, I want to go, i want to go, as I said I was 8 years old. This time they relented and they said ok you can come along with us tonight. And when I walked into the hall, I looked up on the stage and here was this man sitting with the accordion and all his band around him and I looked up at my dad and I said I want to do that some day. That was the first meeting I had with Jimmy Shand senior. That's who the song was written for. And when he was very ill, his son phoned and said he was ill, and I said I've written this song for your dad, can I send it to you, and I sent it up just on a cassette. A couple of days later Jimmy Jnr phoned and said that they had got the tape with the song on it and I said and what did the old man think of it. He said he absolutley loved it. That he was so ill with pneumonia, he said he couldn't say very much but he said the tears were streaming down his face, and he said he absolutley loves it. The old accordion man was written for the wonderful Jimmy Shand."
"I'm into photography, I'm very much into photography. This all happened because of lockdown. I started doing wee bits and pieces of jewerlry and people were interested in it but my real passion after in music is photography."
"I feel very much at home there, I always think it's part of Scotland to be honest. I always feel like I'm going to my second home when I go over there. We love doing the theatre in letterkenny. We love Ireland to be honest, the papers here when there was any big stories about Isla Grant in them, there was a double page in one of the main papers over here and they had it up as the 'Emerald Isla' because they know how much I think about Ireland."
"Must be coming up on 300, 350, something like that. I recorded 10 albums and they were all Isla Grant songs. Since then I've actually recorded another 7 albums and the majority of the songs on there were self penned as well."
"It was absolutely horrific, I was off the road for 5 years. I was told I would never ever go back up on stage again by the specialists, so it took 5 years. The song I wrote for people after the car accident, the first song that I opened the shows with was a song I wrote to let them know how i felt and it was called 'A Dream Come True'. so that was my way of saying to them thanks for still being here for me when I come back out again. It's being covered by many many people but a lot of the artists don't know why the song was written. It was written for everyone that was still there for me after the accident."
"In the Pro tour now, in the PDC, if you win one round, you win 500 quid, over a weekend if you can win 3 rounds, that's like a month's wage for a lot of people. It's very lucrative in that sense because when I first started in 2007, I think if you won your first round, I think you won 50 quid or something like that or 75 quid it might have being. Massive difference to how it is now."
"It all came about as a bit of a joke. In 1995/96, I had to go to hospital to have my pancreas taken out because I had tumours all over it and I was blacking out all the time and I was really poorly. So I became diabetic. At that time there was like one in 50 people was diabetic, it's something like one in three now, it's a lot more common these days. But because I had my pancreas removed, the pancreas creates insulin, it's a hormone in your body, it creates insulin which when you eat it sort of breaks it all down. So now obviously with no pancreas for the last 25 years I have to inject insulin. So it's what I class as a jab. How that came about (nickname) I was playing in a tournament, it wasn't a professional event, it was in Inverness in Scotland. I was playing along with a couple of lads who I travelled up with, all sort of decent county level players at that time. It was the best of 9 and I was 4-0 down, I think it was the last 16 or something like that. My friend from the back out of nowhere just shouted, 'C'mon Jabba, get a grip'. And that was it, I won the match 5-4. It was just that bit of spark, bit of inspiration if you like, it made me laugh and that sort of made me relax, and when you relax you play your best stuff. It was literally from then."
"I think the 18 months is a like an estimate really, probably a bit younger. I was in a pushchair. I was out with my uncle, just talking me out, walk round the park or whatever. I just started screaming. Obviously I don't remember it, I was only little. My eye was all swollen and went all red around the area and things like that. I had to go to the doctors, emergency doctors who sent me to the hospital and they discovered I'd being stung in the eye by a bee, in the eyeball. It's a case of wrong place at wrong time. The thing was if it was a wasp I think the damage wouldn't have been so bad because a wasp will sting and carry on but when a bee stings yous the sting actually breaks off and that was the problem, so I had the sting in my eyeball and thats what caused the damage."
"When I made my first World Championship the press thought it was unbelievable. 'Cycloptic, and this that and the other, it's incredible, he can't even see' it's on my right hand side. Being right handed, I'm left eye dominant because I have to be. So I don't see my darts as I've thrown it, it's all muscle memory really more than anything. But they were making a big deal of it and I always thought you know it's no big deal to me because I've never known any different. If I was a Pro dart player and I was earning a good living and all of a sudden I lost the sight in my eye and I had to start again, yea I get that. That'd be a big story. Maybe I'm just too modest I don't know? But the fact that I've never known any different, it doesn't change anything really, it's not a big deal as such."
"I wrote a book, we released it in 2013, called 'The Way Eye See The Game', but 'I' being 'eye' because of my sight in my eye. I'd being a Pro dart for only 5 years and I thought I've not got enough content to really put into like an autobiography or anything like that. So what we decided was I'd write about how it's being for me, my problems with the pancreas, the tumours and things like that and use it as more of an inspirational account. Basically if someone's got any adversity and they want to achieve something, there's no reason why you still can't do that. No matter when all the odds are stacked against you. If that can make one person turn his life around or her life around, and go and achieve something, because they've taken inspiration from that book, then that's done it's job."
"When Gary is actually at his best, I would probably put him against any other player ever at their best. Including Taylor, Van Gerwen, Barneveld. All of them. Over the years when everyone's at their best it wouldn't surprise me one bit to see Gary beat them all."
"Eric was my hero as a kid. He was marmite, you either loved or hated him. He had so much arrogance and swagger. I think you need that. There's a fine line between confidence and arrogance and a lot of the time he overstepped that line but he didn't care. He'd walk into a venue, he'd look round and then say to all the other players 'I don't even know why you're here, because I'm winning this'. and that's before a dart's been thrown, that's before he even put his flight in! and sure 9 times out of 10 he'd win it. He just knew, he knew how to put people off without overstepping the mark, without cheating if you like. He put doubt into their head before they even started to play and he was a master at it and he was brilliant and I loved him. I always say this when people ask about my career and bits and bobs, what's the best thing you've achieved!? And I always refer to this. Eric was my hero when I was a kid, and if you'd have told me when I was a kid that my hero would become one of my best friends, I could pick the phone up at anytime of the day, if I had any problem with personal stuff or the game itself and ring somebody, and that be that man that was my hero, I think that sort of justifies my career."
"16 times World Champ, 16 times Matchplay Champ, he's probably won 80 televised ranking events, major tournaments. He's probably won a thousand or more tournaments over the world. Still busy doing exhibitions. I think there's a place for him in the sport if he wants to return. I can't say enough about him. Everybody has their own opinions on him. Everybody has their own discussions about him, but my god, what a player, what a player! Around 2010, I'd say sort of 10 years ago, he was at his absolute pomp then, he was at his best. I remember I played him in a final, one of the pro tour finals, it was uk open qualifier North West or something like that. I think this was about 2011 maybe and he was just unstoppable. He beat me 6-0, I had 1 dart at the bull. Phil's average was 128.0. My average was 107.0."
"I fell victim to a very violent bully at school. In secondary school, and for 6 years I was at the mercy of that bully on a daily basis. It was a very tough place to be. I didn't have the skillset, starting out at 14, and finishing at 17. I didn't have the skill set really to deal with it. I was probably green behind the ears. I certainly wasn't streetwise. The effects of a bully of a daily basis were tragic for me. They were physical and mental torture. I walked out of the school at 17/18, and I lost an education. I didn't have any qualifications in life and it was a really tough place. The road for me was quite dark. I suppose today when I look back with the skill set that I have today, I was definitely struggling with a mental depression, very much a youthful depression. It was quite torturous because I didn't tell anybody what was happening. I didn't have the courage to speak out about what was happening and I sucked it up every day. I didn't tell anybody at home what was going on. In fairness its probably my biggest regret that I didn't have the courage to say help! It's something I really encourage young and old today because bullying comes in so many different forms."
"It was only whenever I got the opportunity through my expeditions on a big silent mountain that my mind was screaming and the demons in my life, the skeletons that were in my closet were my limitations and were really holding me back. I was privileged through the expeditions not only to grow as an athlete but to grow as a human being. Having an opportunity to find peace and to find silence and to check in with yourself as a human being is a special thing. To a lot of listeners they'll be scratching their head wondering what that means. It's a simple exercise where you find time in your day or your week just for that 1 hour, whether you go for a walk. Rather than to listen to music on your headphones, just check in and listen to yourself. Ask yourself the question, Jason, am I on the right road, am I doing the right things, am I comfortable in life or do I need to change direction. Do I need to adjust my occupation. Do I need I adjust my health. Do I need to adjust my weight. Do I need to adjust my mindset, really important things."
"Sadly with Covid-19 at the minute, it does create that negative spin on life. It depends what way we see the world and what pair of glasses we put on. I choose to put on, not rose tinted glasses, but I choose to put on a set of positive glasses. I look to see the best in everybody. There's a line that I keep reminding myself of which is to measure the gains in life and not to measure the gaps. And I really like to measure people's gains in life. Rather than to look at people's gaps and what they haven't achieved, it's to celebrate what we've achieved as human beings and everybody has their own level of success and nobody's any better than anybody else and we should have the courage to celebrate everybody's success, because in that person's life their level of success is monumental, whereas my level of success is at a different level, to me personally, but across the line its got the same level of respect, and we should all celebrate that at the one level. Nobody's better than anybody else."
"*People always ask me the question, god Jason you're always on expeditions, you're always taking on this challenge or that challenge. For me the greatest version of Jason Black exists in that world because mother nature was my salvation."
"In 2013 I was successful on Mount Everest. It took me 8 years to prepare for it. Travelling throughout the world on high mountains, preparing myself for it. In particular on Everest, I spent quite a few years going through the ice fields, climbing up to camp 1, camp 2, camp 3. Just learning how to climb and what it took to survive. I chose not to climb through Nepal, I choose to climb through the North side through Tibet. I spent 2 and a half months climbing through Tibet, through China, to the summit of Mount Everest and standing there on the 19th May 2013, the pride that I felt in my body was just incredible. It wasn't even the pride I was standing on the greatest mountain in the world, Mount Everest, the tallest. But It was the fact that I had survived life. When I stood there, the success was overcoming the bully, the success was overcoming the death of my Mum, the success was overcoming the death of my brother, the success was silencing the dream stealers and the success was fulfilling my own dream in life and being able to do it with the pride, respect and empathy and courtesy and courage that my parents had instilled in me as a human being growing up. It was so powerful."
"To be successful on K2, the most dangerous mountain in the world and to be now one of the few 320 in the world to be there. It's not a chest beating experience, I'm not any better than anybody else, you don't ever conquer any of these things. You're given the permission to survive them. For me I was given permission to get in, summit and survive and to tell the story. It's a very humbling feeling to survive a mountain of that magnitude and it's only when you're there, then you see the crazy altitude that you're climbing at. Because you must remember, all the aeroplanes that are globally flying throughout the world are all beneath you. And when you're standing on the summit of a great mountain like Mount Everest or K2, the world is a round ball and you're looking down on the world. That's the physical impression a mountain like that leaves on you but It's terrifying at the same time because they have claimed so many lives down through the years. One in three die on K2. It's one of the biggest killers in the world. I reflect on that a lot. I do think that the success of why I survived K2 was down to the apprenticeship of life."
"I set two records on the mountains, one in Kilimanjaro in 2014, where the first human to double ascend the mountain from both directions, from the Western breach which hadn't being climbed in a long number of years. I climbed through the volcano that happened on Kilimanjaro through the crater rim and up onto to the summit and I dropped down on the eastern side and I turned around and went back to the summit. 22 hours to climb Kilimanjaro twice, the highest mountain on the African continent. One of the seven summits. Such a privilege for a Letterkenny man, Donegal man, an Irishman to hold that record and still is there today. Then I went back in 2015 to South America, and climbed Aconcagua, the highest mountain in South America. One of the highest mountains in the continent, as one of the seven summits. I hold the world record on doing the traverse, going from one side, from Argentinean base camp through the summit and to the other camp on the far side. I climbed through a storm that most mountaineers on the mountain didn't think was possible."
"You must remember, I've had more non successes than I've had successes, but the non successfull summits or finish lines in races have prepared me well. Having the courage to look at what I did wrong in life and how can I improve has probably being fundamentally the cornerstone of allowing me to be successful."
"My greatest success today Tony is not what I've achieved. My greatest success today is to stand in the classrooms throughout the world in front of young kids, the same classroom that I was bullied in and to stand there with a conviction and an honest human story that while life can be challenging it also can be so embracing and it's a playground for success. It allows you to be the most incredible person if you choose to be that. The world has a glass ceiling, there is no obstacle once you remove yourself as being the obstacle. Its formidable and as a human being success is in our hands. Inspiration is a word that doesnt sit well with me. I'm more comfortable with the word 'empower' people. I want to really empower people to have goals dreams and aspirations and to really go after life. If we believe that life only gives us one go at this thing, well let's really embrace it, let's really make it a successful life."
"I've had over 250 amateur fights with probably no more than 15 losses. I've had an unbelievable career now I have to say as an amateur. See every single one of those losses, I can remember them very very very clearly, because with every single loss that I've had I have learnt so much from it. It has created and moulded me into the person that I am now today and it has pushed me on in my career and in my life, every single one of those defeats."
"2 or 3 memories stick out in my mind.. First of all, fighting on Canelo Lara undercard. The MGM Grand Las Vegas, like thats your pro debut. I don't think there's many boxers out that can ever say that's where they made their pro debut!"
"I've been offered the fight, to fight Canelo. I have accepted. There's obviously 2 or 3 other opponents there as well. There was I think 6 shortlisted opponents for that fight, i think that was down to about 2 or 3, and I was one of those 2 or 3. That's all well and good but over the last week or two Canelo has run into problems with Dazn, the guys that have the boxing app now with all the major pay per view fights over financial difficulties because of covid and everything like that. So it's Canelo now and Dazn that are going back and forward. There's not even a mention of the opponent yet. We're looking for Canelo to sort out his differences with Dazn, get things squared away there and hopefully then they'll be back on track with possibly a late September or early October fight and possibly it could be myself against Canelo Alvarez."
"Better man won on the night and that was Tureano Johnson. In terms of performance wise there's so much more in me. Not that things weren't right but I just wasn't settled in Sheffield. Everything was Dominic Ingle and stuff like that. Dominic's a great coach, great person, got on the best with him. It didn't just gel right for me and him boxing wise. Relationship wise, everything that was 100 percent. I had to make a move and I did make that move. I have to say now I'm absolutley delighted and really enjoying boxing again, really enjoying everything that I'm doing again, going to training, learning off Andy, it's being a breath of fresh air with my new move. Especially closer to home in Ireland here as well, training in Dublin now with Andy all the time."
"I'd lost in the first round at the Crucible for the 4 years previous or 5 years previous. I'd never won a match at the crucible. That year that I was there (86), I was there as a top 16 seed. I'd got into the top 16. So i was waiting for a qualifier rather than qualifying and playing one of the top seeds."
"A bit like fate really, I'd never beaten Dennis Taylor. When Mike Hallett beat him, I always had good results against Mike Hallett so it was really fortunate for me that Dennis went out. No disrespect to Dennis because I love him to bits, but I was pleased he went out because he'd always beaten me."
"Not a lot of people know that I'd never played Steve Davis as a professional. I'd being a professional six years and never played him but we played money matches as amateurs. He'd come up to Leeds to play a money match at northern snooker centre with me and I beat him quite comfortably and then he made a return visit and I beat him quite comfortably again. So the last 2 times that I played Steve Davis I beat him quite comfortably. So he didn't hold the same fate for me that he held for other players and I'm sure he had that in his mind that the last time we played I'd beaten him, it does make a difference that."
"What comes to mind is that special 69 break by Alex Higgins, when he played Jimmy in 82 I think it was. Alex produced a break that is still unbelievable down to this day, probably one of the best breaks I've ever seen and that denied Jimmy White from getting to the final where he would have played Ray Reardon. I'm not saying that he would defintely have beaten Ray Reardon cause he was a great player, he was a really great player Ray, but he would have had a chance of beating Ray Reardon. Had he beaten Ray and won the world championship, then he may have won four of five. Who knows!"
"I always thought Stephen Hendry was a little bit more consistent if you like and a bit more ruthless. There's no doubting Ronnie's ability, he's right up there, he's probably the best player that's ever lived in talent. But I always thought Stephen Hendry was a little bit above him in match play."
"I think football has advanced so much over the last 10 years in particular that the days of giantkilling is nearly gone. Because the level of professionalism that has being brought to the game as regards the training, the diet, the mental preparation, all that, that has taken any level of back in the day when you had a underdog, maybe another team wasn't up for it, they could raise the game. Everything else was so mixed match because you'd have a guy going out one day, he'd be firing another day he wouldn't. Whereas I think now the game is so analytical that the days of some guy having a super big game are nearly gone. It's all about the process, it's all about the system, it's all about the structure."
"One of Jim's greatest traits; he's very analytic, he's very organised and he's very structured as we've seen from the success we had with Donegal. But his motivational side of the equation is immense. He's a phenomenal guy to motivate groups and from that perspective him coming into any situation is definitely going to have a positive effect."
"It was amazing. It was a surreal experience. We'd never gotten to a final in my lifetime. We kind of came out of the blew, we were in division 2 that year and nothing was expected from us, we were a very very young side, it was probably the highlight of my sporting career as such. I think any player will tell you that bringing their club championship back to their home town is a special feeling but it's even more special when we'd never won it before, it was the first time. Thankfully it happened in 2005 and not 2020. Because I can assure you that the social distancing in Glenties wasn't to be heard of for at least 3 months after that, great occasion, great time."
"The amount of work that had went on for 20 years without any success by really good club members in Glenties is now starting to reap the rewards of that. And then success breeds success. Players want to play, it's a small rural community, there's not a hell of a lot of things going on, there's no huge draw to anything else, the club's successfull, and it's a very very good club so people are drawn to it. All young lads and girls up there wanna play, they wanna play for the club and there's huge pride in the parish for the club itself so there's a lot of things feeding into the mix."
"You look at the talent that we had, we had Tony Blake in goals, the likes of Damien Diver, Raymond Sweeney, Kevin Cassidy was coming through, Niall McCready, Paul McGonigle. Your forward line was exceptional. A forward line of Christy Toye, Michael Hegarty, Brian Roper, Brendan Devenney and Adrian Sweeney was exceptional in any generation. There was a reputation then that the team didn't take it seriously enough, the other thing is our ambition wasn't set high enough. We didn't have somebody laying out the road map, laying out the plan. Again that was no fault of anybody, that was just the way things were back then. Armagh and Tyrone were probably a couple of years ahead of everybody else in the way that they brought this organisation to the game. Whereas we went out and played every Sunday and we went at it and we gave it everything and then the system beat us or the structure beat us. But I wouldn't swap it for anything. We had great times, we had some phenomenal days out. Do we have any silverware? No. But we have a lot of good memories."
"There are so many reasons, but if you had to pin one, me personally, others will have different views, I think the moment that we failed to secure the resigning of Fraser Forster started a potential rot in the team. Because Fraser Forster is a fantastic goalkeeper. He's sitting wasted on the bench down in Southampton, when he was playing up in Scotland he was imperious. In fact he won last season's league cup on his own against Rangers. I'm a great believer that you have to build from the back. Fraser Forster great shot stopper, organised the back 4 well, and we didn't lose that many goals. If you look at what happened to Celtic, we scored a lot of goals this season but my god we lost a lot of goals this season. It was as if panic would set in everytime a ball was crossed into the box, from set pieces, free kicks, corners, we lost so many goals at vital moments. It didn't mean that we lost that many games but it meant we drew too many games. And that's 2 points dropped continuously."
"It was a fantastic run to Seville, just the result wasn't for us, There's a DVD out there, 'The Bhoys From Seville' I've still never watched it, I can't watch that final at all. So heartbreaking, we played so well. Henrik Larsson scored two goals and still lost a major final. I was right behind the goals when bobo made that tackle (sent off in extra time) rush of blood, he was a committed player, these things are on a fine line. We did our best, it was so close but it wasn't to be. I think anybody who was on that run to Seville will have fantastic memories of the Celtic side and anybody who was in Seville, over a hundred thousand of us left Scotland, the largest air lift in peace time since the war, will always remember the fantastic way in which the Celtic fans conducted themselves. People of Seville welcomed us with open arms. We enjoyed ourselves in their city. We treated it with respect. We showed that Celtic fans are welcomed anywhere. Other clubs perhaps across the city might want to learn some lessons from that."
"I know we voted Jimmy Johnstone the greatest ever celt, what a genius that man was, but for me Daniel Fergus McGrain is the greatest football player that's ever played for Celtic. Through so many hardships, diabetes, ankle injury, he was a truly world class fullback on the left or right."
"He must have amazing shoulders because he carried the club for many many years when I watching them in the late eighties and nineties. He had sublime passing ability, he had the tenacity to do the tackles, determination and he loved Celtic. There was times when we truly atrocious and the only quality we had was Paul McStay. He was a shining light in those dark days. I was so glad they endured some success with us. You talk about players being Celtic legends, you can talk about loads of players being Celtic legends but there's only a few that really are and Paul McStay is one of those."
"The man had it all. He had the ability to be what you would now define as being the No 10. But for me he's one of the greatest strikers footballs ever seen. Scoring goals for Scotland, scoring goals for Celtic, for Liverpool, 102 caps for Scotland. A man who again gave loyalty to Celtic, he could have left a year earlier but he decided to stay when Jock Stein was recovering from his car accident. So again, a wonderful player and somebody that can link with the midfield. It's all very well having great natural goal scorers but you want to build a team."
"A truly immense striker. I was at his first game at Easter Road, when he came on and he passed the ball to Chic Charnley who scored and we got beat 2-1. Everybody thought who's this player we've bought, he made us eat our words. The joy that that man gave us and the goals that he scored. A goal machine but again a man that could link up with the play. He could take on a defence by himself but he linked up well with all the partners that he had, Chris Sutton, John Hartson, this was a man that could play in any team and he proved it. When players leave Parkhead, you say ah well that's the end of them, they won't win other things, greater success. This is a man that went on with Man United & Barcelona, won the champions league."
"The thing about the book is it's about 17 gangsters that have Irish American roots, what I wanted to do was not just tell their story but to actually try and identify what made them into the individuals they were."
"I've got 4 boys, 2 of whom are on the autism spectrum. I spend a lot of time , well you have to, fighting for the resources for them because they are so little available. In that fight I've learned a lot of stuff, so what I've tried to do is share it as much as possible. I have a website called autismdad.ie where I blog and try and share just insights of what works for our boys, what doesn't, so people can actually share it. There's a Facebook page autismdad, and there's also a twitter account autismdad where I just try and share and build a community where mums and dads of children on the autism spectrum and in fact adults who are autistic can share knowledge, can learn, can moan, can rant and can fight for the services that our children deserve."
"It was such a strange match. I was 15-9 down going into the last session of 9 frames and needed to win 8 of the 9 frames and managed to pull it off and against one of the top players in the world at the time because he was twice Masters Champion. In the top 8 of the world, Paul Hunter. He was playing sublime snooker. I dunno how I came back to be honest, I sort of just dug in there and said don't give it to him easy. Stick with him, stick with him stick with him and eventually it paid off for me but I must say the match even though it was such a great win for me and one of my best ever matches that I've ever played but it was tinged with of course a hint of sadness. I had a tear in my eye watching it the other day, because I hadn't seen the full match, I've seen bits and pieces of it on YouTube but I must say I had a tear in my eye watching it again because poor Paul Hunter, he died only 3 years after that in 2006."
"Going into that World Championship, I hadn't had a good season. I needed to win my first match to stay in the top 16. So there was a big sort of build up just for my first match. My first match against Mark Davies, I just managed to scrape through which was 10-8. I played Steve Davis in the second round who had beaten me 6-1 here in the Irish Masters, he beat me 6-1 in the Benson and Hedges Masters in London only in February. When I won that first match, it's a funny thing it was like a huge weight lifted off my shoulders because I was more concerned about staying in the top 16 for the following year, a big thing at the time. I went into the Davis match a few days later and I just played care free snooker. I played as well as I've ever played at the Crucible. I beat Steve Davis, who was the legend of the Crucible all the way through the Eighties, I beat him 13-3 with a session to spare. Nobody ever did that to Steve Davis during his time as a professional. I was the only one. From then on my confidence just grew and grew and grew!"
"I'm up against Stephen Hendry, the King of the Crucible for the 90's. He hadn't lost a match at the Crucible for 6 years. He was going for 6 years in a row which was 30 matches completely and I had to stop him and I did! I went into that final, it's funny people always talk to you about visualisation, but for me I used to go to bed during that world championships at night and I could see myself lifting the cup like Alex did in '82, like Dennis Taylor did in '85. And they were my huge inspirations. During that world championship I'd go to bed, I dreamt that I could see myself lifting up the cup, giving it a big kiss and raising it up to the crowd like they did back in their day. That was the visual moment that I had, I kept that with me and it relaxed me completely. I could just see myself lifting it. I played the best snooker that I've ever played against one of the greatest players that's ever lifted a cue."
"I sort of gave off the impression that I was very relaxed which I was but I was nervous as well don't get me wrong. I wanted to give off the body language that I was relishing it, that I was loving it, which I was, but I wanted to show him I that was loving it. I wanted to show Stephen Hendry that I wasn't afraid of him. And I was laughing and joking and smiling and talking to the people in the audience. I was loving every minute of it and I think that sort of unnerved him a little bit. It helped me big time."
"You always get the smart arses saying to you 'awwh I remember when you won that World Championship but do you remember you missed the black for the 147. I said 'do you remember? Of course I bloody remember it!! It cost me a car. I still have nightmares about it!!"
"I worked so hard to pot Yellow, Green, Brown, Blue and then the Pink. I just came a little bit off straight on the Black. If I'm straight on the Black then I'm perfect. The cue ball has gone towards to the cushion, when I got down to the Black, everybody had started to stand up around me and and they all got excited. When I look back at it now on YouTube I think why don't you just steady yourself, why don't you just roll the Black in? I stunned the Black instead of just rolling the Black and giving it a chance to get into the pocket you know. Experience will tell you, just to roll it in and give it a chance. It stops you sort of twitching on the Black if you roll it in anyway. It was a bit of a nightmare. The funny thing was that I used to the pass that car in the foyer of the conference centre every day for that week going into the tournament and I got to the final and I thought to myself ah well look it, it was a Yellow car, I didn't like the colour of the car so I wasn't really bothered. That's my excuse!"
"I met Daniel O'Donnell for the first time when I was in Louis Copeland's. I was buying some clothes, he was getting fitted out, he had a concert that night in the Point. He invited me along, I couldn't come along that night I said, but I said my mother would love to go I'm sure. so I got a couple of tickets for my mam, she had a great time. When I came back from winning the World Championship in '97, apparently Daniel was in Capel street with Louis Copeland on the day when I came back and there was a big party in Raneligh in Dublin of course, my own village. He was in there with his mother at Louis Copeland's, he's come all the way out to Raneligh. He came into the pub, Russell's at the time in Raneligh, to congratulate me. I had the cup and there was a big party going on. The whole pub went quiet when he walked in with his mother. Nobody could believe Daniel O'Donnell was coming in. He walked in, he came over to me and he says, 'I was in Dublin, I was in with Louis Copeland and I wanted to come up and just congratulate you personally for winning the world championship. I put my arms around him, gave him a big hug, gave his mam a kiss and i said look I appreciate it immensely, thank you very very much. I said can I get you a drink. He said no no, I'm going to go round to your mother, I know where she is, somebody told me where she lives, I'm going to go round with my own mother, to your mother and I'm going to have a cup of tea with her and then I'm going to go home. I thought I'll tell you what, such a beautiful gesture. I'll never ever forget what he did that day. Such a lovely lovely man, down to earth and a gentleman, absolute gentleman."
Kevin : A - "That's right, My job description is. I pick things up and put things down. Ah ya know I love it because you'll be out and about and you'll be in different places every day. The same tree doesn't be there the next day when you cut it down! One Halloween my son dressed up as a Lumberjack, it was kinda funny!"
"I remember the day before the fight my lawyer friend Mike Moynihan, we made a plan, we said we're not going to fight tomorrow night, I told Tyson's promoters I'm not fighting tomorrow night and they said 'what do you mean? The big fight is on tomorrow!' I said I don't trust you's, you're not going to pay the money. The only way I'll fight tomorrow night is if yous come up with the cash or get a cashier's cheque and give it to the boxing commission. They went to the bank that day and my Mike, my lawyer friend said you're all set Kevin. I was probably the only one that got paid before the fight.."
"If you look at the fight, I was smiling a lot. I had a hypnotist called Patrick Brady out here. Packie Collins, Steve Collins' brother, he was running with me and training for the fight, he got me to go with the hypnotist. It all works because through that fight, it's such a big moment, you don't want to leave any stones unturned. It's like anything in life. It's like a Christmas cake, you need all the ingredients to make it right. I wasn't leaving anything out. Thanks to that guy Patrick Brady. I think he passed away, he gave me more confidence. I remember Gerry Quinn, my manager at the time he actually out up the money up front, he's from Galway. He put up the money for the sparring. Big shout out! Only for him coming up with the money I wouldn't have had the right preparation for that big fight.."
"You can imagine going into a fight like that in front of 20,000 people in Washington DC. Someone asked me after the fight what was through your head before the first bell, I said honestly 'what the hell was I getting myself into'. Tyson's a very intimidating fighter.."
"Through the fight itself I remember in the sixth round he hit me so hard I thought there was leprechauns playing drums in my head!"
"I said to him (my father), I'd love to fight Tyson one day and he said to me if you work hard and believe in yourself, one day maybe it'll happen, and true as god, like a miracle, it happened."
"Then he started trying to break my arm, he tried to bite my nipple off but thank God he had his mouthpiece in, because I would have being known as the Irishman with one nipple."
"The whole night was so beautiful that I win the fight and then I get to meet Muhammad Ali, the greatest, he threw a few punches at me and said I'm the greatest, you're the latest, money can't buy that. to be in the presence of two legends, Mike Tyson and Muhammad Ali."
"I was promised for a world title fight after that and it never materialised. Time goes and the iron is hot after it for a while, and when it goes cool, it's hard to get up for fights, that fight with Tyson was like a world title fight to me."
"He let me hold the cup and he says that's the closest any Monaghan man will ever get to that cup, I thought that was as funny, the same year Monaghan lost to Kerry by 1 point, it was so close. (All Ireland QF 2007 Kerry 1-12 Monaghan 1-11)."
"I'm in training education. I'm a senior scientist. Basically what that involves, I would train medical doctors who are going on to be consultants in the area of blood transfusion. I would also lecture to under graduates, students that are doing bio-medical science. So they would come in, so from CIT, DIT, Cork, they would come in for a week with me and I would go through all sorts of science, like viruses, anything to do with blood transfusion. I would do project planning within the building, I'm involved now in a major project that'll be amalgamating some of the testing labs."
"The lab work that I work in is genetics. It's kind of similar to the corona testing, except that we're testing for genetic diseases. We're facilitating bone marrow transplants. We would be the reference lab for that, what means is, we are the one lab in the country that does that type of testing. So anybody that has Leukaemia or anything, they would come through us and we would find a match for them. We have a massive team. We work along with the doctors in St James' in Crumlin. so for the adult transplants we would work with St James' and for the kids we would do Crumlin."
"I was in New York with my Mum and we were just walking around Fifth Avenue, Park Avenue and I couldn't help but notice (I sound like Carrie Bradshaw now) all these women, I don't know about you but New York women have a fantastic way of pairing corporate wear with fablous statement jewelery. They just look really well. And I happened to say to Mum, I love that look. I've never pieces like this in Ireland. So I did a bit of research, this is something I could do. I love jewelery, my mother's a magpie as well, she was so excited about it, that's just kind of where it took off."
"A couple of years ago I was shortlisted from 5,000 boutiques. We were shortlisted down to 15 and I won the prize for best accessories in Ireland, that was good. It was a really good experience!"
"So we did the interview *Judging The Mary From Dungloe Festival) at that stage nobody really had an idea what way it was going, I think it's kind of a mixture of the interview and how they do on the night. It's just overall impressions of the week. Personality is absolutley key. What I would like to say, It's not just a beauty pageant or lovely girl competition, there is substance behind it and I think it's really good, just for young girls looking up to these people, that you can do all of this and you can go into a nice competition like this and showcase yourself, it's just a lovely week!"
"I was born in the town and reared in the town, I was there till I was 17. And then I moved and never kind of went back again. My parents had moved away at that stage, so as soon I had done my leaving and got to 17, I went to London, started to work over there, that was the end of my Thurles days. I was in London then for about 10 years and then I went to Scotland, I was there about 8 years."
"I had a fantastic upbringing and I absolutley loved the place (Thurles) while I was there, everybody knew everybody else. And when you went up the town, you just knew everybody. When I go down there now, it's just so different. Awful lot of changes. I go down and I see the old school that I went to and where I lived and everything and it brings back fantastic memories, but I don't really have a connection with it anymore."
"I have one brother and two sisters, I was the youngest until I was 10. My sister is 2 years older than me and my brother is 4 years old than me. Then my sister was born as I said, when I was Ten in 1970, shes the youngest."
"Everybody knows that I suffer with depression, I have a charity I set up here in Donegal dealing with stress and what it can lead to. Even though I've come out the other side of cancer and yes I've being through a lot with my marriage breakdown, depression is something that I always have to manage that's always there, there's never going be a kind of a it's gone and it's going to go away forever, it's something I manage and thankfully I manage it pretty well."
"There's not much really that you feel you want to do when you are down, especially when it comes first, I can be on the settee and just not able even to get dressed, never mind do anything else. But then as I go through it, I try and get myself to get up and just go for a walk on beach or try and read something positive, try and remember and be grateful for all the little things that I have in my life. Just that sort of thing. Trying to come back out of the darkness if you like."
"I set out to raise, I thought about €10,000 would be great. I remember Daniel saying to me 'oh for God sake no you should go for more, you should look to €100,000 and I was saying Daniel, there's a recession on at the moment, people can't afford to be giving away that kind of money. I said OK I'll raise my bar to €50,000 and please god we'll get €50,000. At the very end of it all, once it was all put together it was just under €700,000 which is pretty amazing. By the Monday, the late late show being on Friday, it was at €250,000, in 3 days, it was just wild really!"
"I met him in my mother and fathers bar in Tenerife. They had a bar and Daniel when he would be on holidays in Tenerife, he had a place over there would go and visit Irish pubs, a few of them, ones in particular. He would go and just say hello to them I suppose and he came up this particular night and I was there, I had actually moved to Tenerife for 2 years, after my children went into boarding school. He was there and I was there that night, we got chatting, he asked me if I wanted to go out the next night and it sort of started from there."
"I said it many times, if it weren't for The Keynotes, there wouldn't have being a Margo. I wouldn't have gone down the road that I went, and certainly I knew that I sang songs, I never thought that it was anything special. It was them that brought the special part out of me that appealed to the people. The likes of Cundy Boyle, he's down there in Meenbanad, he had a wonderful insight to what the people wanted and he never ever ever got the credit of noticing talent. He could actually read talent. He was a wonderful man. Himself and there was Tony Boyle, and there was Hughie Ward and Charlie McCole and Paddy Joe and Johnny Gallagher and Francie Diver. I could go on and on, and then there was the new Keynotes, Martin Campbell and Johnny Cullen and all of us and Eddie Quinn. And when I think of them all. What a wonderful wonderful group of people that I was placed beside to go in my life from there. At the time that I left The Keynotes, I never would have left them had my father not passed away young. I never would have left them, never ever ever. At that time I had got an offer of 100 pound a week and a car on the road and a driver. It was going to ease all of our problems because I was the 2nd eldest. It was me and John that were sort of helping to keep Mam OK and our siblings. When I got that offer and I talked it over with Mam, there was only one road I that could go. The day that I left The Keynotes and I left Donegal, I left with a broken heart. I really and truly did. I was so unhappy in Dublin when I was rehearsing with the County folk, the new band. They say you'll never ever miss what's meant for you. That obviously was the road that I was to go down."
"The great thing about Brian Coll was he never once called me Margo. I met him first up at the Marquee in Dungloe. He was with the Plattermen at the time. My mother took me up because I loved him singing and I was only a little girl. I've known him all them years and all them years he never once called me Margo, he always said Margaret. I had great great admiration for Brian Coll. He was a legend. He had a voice of gold, he really did."
"I have a relationship with Dolly that's very, very personal. We recorded together. I visit her family every time I go to East Tennessee. Dollys just not a fabulous artist, she's an icon. She's really a class above everything else because she's a very good person. She helps people who are much less fortunate than she is."
"I never ever thought that he would go so quickly. But when his wife Rose passed away he lost the will to live. Brendan Grace god rest him as well, he came here one day to me and he just looked at me and he said I think Tom died of a broken heart and I said absolutley. I think the recording with Big Tom was the icing on all of my cakes that I ever had down through the years. I had known Tom from 1964/65. I went up to see him up in Ardara in the Iona Hall. The day that they (Big Tom & The Mainliners) released their first record. Big Tom that night sang gentle mother I remember. I'll never forget the feeling I got from the voice of the man that was pure golden. The great thing about Tom was, Tom was Tom. He was the same Tom when you'd me him out in the field as he was when you'd meet him to a packed audience. He was just a lovely, lovely human being and I am so honoured to be able to call him my friend."
"I left Dublin when I think it was about 1986 to go to the comedy circuit in London because there was no comedy clubs in Ireland then."
"That's my main job really is stand up. The Fr. Ted thing was really a once off. I don't pursue an acting career if you know what I mean?"
"I was doing a stand up show in London. It was actually with Ardal o Hanlon and another guy called Dylan Moran. It was in the Bloomsbury theatre in London. I think it was an Irish comedy night. I think there may have being some other comedians on, I can't remember. After the show Graham and Arthur the writers of Fr. Ted who I didn't know at the time came up to me and said they're writing a series about these priests on an island off the coast of Ireland and that they might have a part for me. I didn't really think anymore of it at the time. I think it was about four or five months later I got a call, it was kind of an audition but it wasn't really. I think Graham and Arthur had decided they wanted me for the part having seen my stand up act. In those days my stand up act was I'd just do a one liner and then pause for about ten, 15 seconds and just stare at the audience. Very like Fr. Stone really."
"I knew Dermot quite well. We only lived a few miles away from each other in Dublin and I done stuff with him in Dublin as well. It was just a coincidence that I got the Fr. Ted thing, it wasn't as a result of knowing Dermot. It was just cause I was already in London anyway. I also knew Ardal as well. He came to London to start doing comedy as well. not at the same as me, it was a few years later."
"I think it's what convinced the producer Geoffrey Perkins that I should take the part. It's when they're trying to get rid of me out of the house, eventually Fr. Ted comes in and says the house is on fire, and he says 'you're going to leave now? I said, well yea there's a fire!"
"I had a great relationship with Jack, I loved Jack, it was a working relationship. You just felt happy in his presence. All the players that spoke over the last couple of days just loved being in his company and being part of that squad. It was like a club team, and I was no different."
"It was a brilliant complex that we were staying in down in Stuttgart. It was a sports complex with a hotel on it, the pitch that we were training on was right below myself and Gerry Peytons window as we looked out the balcony, my god the pitch was there so we were in our element myself and Gerry and he says, let's get down a little bit early here, we'll do a wee bit of goalkeeping before the boys come out. So we got our gear off little Charlie. We're out on the pitch next thing Jack and his son John walks round the corner. Jack says 'What you's doing?' Ahh we're just doing a little bit' He says knock the balls out to me. We knocked the balls out to Jack and he put John his son into the penalty box and he started hitting crosses in for John his son who starts trying to score goals on myself and Gerry. It reminded me of playing over in Keadue when we were meeting up to do a bit of training and the lads would be all in round the penalty spot and you'd be hitting crosses in, that's exactly what it was like. It was brilliant!"
"I remember going to clay pigeon shooting with him. He had a wee small trophy for the winner, whatever we were doing anyway, a competition. I remember I had this gun. Jack was renound for his fishing and his shooting and all that of that game stuff that he used to do. We were shooting at the target, a thing you would shout and the thing would go up in the air. Suddenly you would try to shoot. I kept missing. Jack says 'What's wrong with the bloody gun'. So he looked at the gun and he shouted your man to shoot or whatever it was. and the thing went up and he shot and he missed it. He was the expert but he missed it!! He missed about 3 and he looked at the gun and says 'That Gun Is Useless' he was great like that, great humour. All of that matters, when I look back on Jack now, the story's we have about him are wonderful!"
"He was very very assured that if we got past Italy, and we were going to play Argentina, if Argentina got through, they were right up our street. We'll beat 'The Argies' he says if we get past this one. But getting past Italy was a real issue. It was a host nation. The world cup sometimes is geared round the home nation, let's face it."
"I remember being at that game. I wasn't playing. He (Jack Charlton) had put Alan Kelly into the team. Probably right because I was now getting older but I was on the bench. I remember in that game away, that was a 0-0 game. we must have created about 40 chances. I remember just at the bench there was a ball sitting right beside the bench during the game and whatever chance was missed, he turned around and he smashed the ball, it hit the bench and went out into the middle of the pitch during the game. The game had to be stopped to get the ball off the pitch, it was incredible how we missed so many chances. Just extraordinary!"
"There were parts of the country were soccer wasn't played. Very much Gaelic orientated and even some places Rugby orientated and Soccer was not part of the social fabric. That changed under Jack (Charlton). People were out playing football. I listened to two people, young boys talking about their time watching Ray Houghton score that goal and then out to trying and emulate what Ray was doing, didn't see the end of the game, because they wanted to do what Ray did. The heros now were not just foreign players. The heros now were the local Irish players. And Jack created that in many many ways, so there's a lot to be thankful for Jack and the knock on effect is that the game is now played throughout the country."
"The first photograph I actually ever took was a very dear friend of mine, Eileen King from Co Tyrone. With the country flavour."
"When the big St Dominic's Hall opened with my very best friend, Charlie McCole & Hughie, that was like the grand old oprey of Nashville. That was the opening of all the big stars coming to Glenties. From Joe Dolan to Dickie Rock and Big Tom, Gene Stuart, Margo, Daniel, everybody you know. But Brian Coll was the man who opened St Dominic's Hall. He was the man that put St Dominic's Hall on the map. Because when Brian Coll made his first appearance on a Saturday night, you were talking nearly about two thousand people squeezed into St Dominic's Hall, between the balcony and everything. I remember that night he came, Seamus McCusker was down at the door his manager along with Charlie McCole. Brian was always late coming and you couldn't get him home. Charlie always used to leave a place outside the hall vacant for Brian because Brian had a big huge silver datsun. And you'd see Brian coming up the street, he'd be flashing the lights to say I'm coming now, have the place ready for me'. So Charlie would tell me 'you go up now the back of St Dominic's Hall, back of the stage and open the door down the side of the stage' and he would go up the alley way back of St Dominicks Hall and I used to let him in. That was the first time I ever let Brian Coll in, and he went up to the dressing room to get ready, and that night when he came out on the stage, oh my god. it was electric, the crowd just went mad for him altogether. There was nothing to touch him in St Dominicks Hall and all over Donegal. He was the biggest draw. Then at the end of the night, the crowd that was around the stage, all the women and everybody, all trying to get talking when he was down on his hunkers, signing autographs and all that."
"The first big American one to come ever to Ireland to St Dominic's Hall was the late Hank Locklin."
"The man who taught me the photography was Brian Coll. When Brian was finished talking to everybody (1st night in St Dominic's Hall) Brian came into the dressing room and I shook hands with him and I said to him, Brian I would love to get a photograph with you, he said no bother at all. So I gave Jim Bradley the wee camera, and I was standing with Brian for the photograph and Brian looked over and said hold on a minute, what's that' I said that's the camera Brian, he said 'Did you get that in a lucky bag'? Noh I bought it in the chemist. 'Hold on one minute said Brian I'll show you a camera. He went over to the case and he took out this canon camera, oh my god, when I seen that i couldn't believe my eyes. He said to me if you're so interested in photography and you want to be a photographer, I'll give you the names now of a camera, and save up and get yourself a decent camera. Buy yourself a canon, a nikon, or a Pentax, but he said go for the canon. I saved up anyway and I got a canon camera and I when I got it, I brought it to Brian, now you're on the road he said. I'll show you now how to work it, set it for light metres and all that."
"If you didn't have that, you wouldn't get back stage, there was no way you would get backstage to meet some of the big names. Donal was involved with the Donegal news, he was involved with Ireland's eye magazine. But Country music round-up in England was a huge magazine, it was mostly about American singers but then Donal done the Irish column for it for all the Irish acts that were going over there."
"I've known Sandy Kelly long before she got married to Mike Kelly. The first time I met Sandy was up in St Mary's hall in Dunkineely with Gary street and the fairways. Sandy used to drive the wagon. She's an absolute wee lady, you couldn't meet anybody like Sandy. I've known Sandy must be over 20 years, I've being with Sandy Kelly. I was down when her first baby was born, Barbara, her first daughter, I was down for the christening and everything. I used to stay up in Sandy's house and of course then I travelled on the road with her."
"The first time I met Johnny Cash was in Omagh. I couldn't believe it. Sandy was doing a show down actually in Cork. She was on a radio station promoting the Patsy Cline show. The DJ says there's a big American gentleman here on the phone, he wants to speak to you. She thought it was some of the band acting the cod. And she says hello who's this and he says hello this is Johnny Cash and Sandy said yea I'm Dolly Parton, pull the other it's got bells on it. I am Johnny Cash! She nearly passed out when she discovered that it was Johnny Cash. And he said my very good friend Waylon Jennings when he was on tour over here you were supporting him and he told me all about you, I'm in Ireland at the moment and I would love to meet you in person. And Sandy couldn't believe it. So we headed up to Omagh, It was a big football stadium or something he came to. It was Kieran Cavanagh, Daniels manager now who was Sandy's manager at that time. We landed anyway and I stood with Johnny Cash's band and his manager and Kieran brought Sandy down to meet Johnny Cash, I just said I'd let Sandy meet him first."
"I just stood back at the side of the stage, and his manager said when he comes up to go on stage, don't approach him because you don't know how high he's going to be to go on stage to do his performance. If he comes over to you that's ok. Next thing I could hear the feet of this man coming up the steps up from the dressing room. This huge man in black with a guitar swung across his shoulder. The first thing I noticed was that he was chewing away at something. I found out later on it was a cube of ice he was chewing to keep the voice cool for singing before he would go on. He would walk over half ways to me and then he would look at me and he would turn back and walk over again. And next thing he looked over at me, he just walks over to me, puts out the hand and said Hello I'm Johnny Cash, pleased to meet you. I couldn't believe it Tony. The first thing I noticed when I shook his hand, I'd shaken many a peoples hands in showbuisness and country music and all different famous people but by god when I shook hands with Johnny Cash, your hand felt like jelly. His hands were like steel and that came from picking cotton in the cotton fields when he was a young boy. If he closed his fist, it would be light outs I can tell you."
"Sandy said to June afterwards, I'm surprised he (Johnny) got on well with my friend Neily. Oh said June, if he didn't like him he'd be on his back."
"Lou says, Well I'll do my best anyway, we'll see what happens, then I saw Johnny coming walking out with the coat hung over his shoulder of his suit he was he wearing, the Black suit and Lou says to him Neily would like to get a photograph with you Johnny. And he shook my hand he said oh how you doing Neilly, the last time we met was at Markree Castle. He just stood there for the photograph with me Tony and it's a beautiful photograph of myself and Johnny Cash together. I have a big massive one up in the house Tony. I knew that was going to be the last time I was going to see Johnny Cash because he was very sick that night. But he still remembered me and he still done the photograph with me. Just to get that photograph with Johnny Cash on his own, it was like winning the lottery, I cherish that photograph to this day."
"The club was founded back 44 years ago in 1976. The reason how the Na Rossa club came about, it actually started as a breakaway club from the Dungloe club. Back in the beginning to the mid 70's there was a situation developed in the Dungloe club where you had a lot of players. There were these good Dungloe footballers that would be away at college and wouldn't have played any games during the league in the winter. When they would come home then during the summer they would actually get playing in the Championship which meant that some of the fellas that had played on the bad pitches through the winter were actually dropped. So these players took exception to this and they decided they were going to form a club of their own."
"They've only been two secretary's of Na Rossa. I'm there secretary since '82 but their first secretary was a man called Johnny Doherty who was actually from out Maghery, Tearmann direction. Johnny had a busy time being the first secretary. He would have done all the correspondents with the county board. He was a good man to pick because Johnny was an educated man, he taught in the community school in Dungloe. He was a career guidance teacher there for years."
"There was Gaelic played for years in Dooey, going away back decades because there was actually a club up in Leitir years ago, a Gaelic club called Gweebara Rovers. Now that's a club where Dan Bonner, the father of Declan Sean and those, he would have played. His brother Sean would have played for that club. The likes of Connell Boyle, the big farmer who was a councillor, and his brother Fr Hugh, all good footballers, they played for that club Gweebara Rovers. Gweebara actually won the Donegal under 16 championship in 1950. The club that won the two under 16 championships before that in 48 and 49 were St Eunans. Gweebara were the 2nd team in Donegal to win the under 16 championship."
"The first team that took the field for Na Rossa, they were 7 players from Leitir on it, there was 7 players from Sheiskanrone and the goalkeeper was from Dungloe but it wasn't me. It was a fella called Packie Boyle."
"When '78 came around, Packie Bonner had gone to Celtic and Packie Boyle had gone to Keadue Rovers so Hugo Trimble (One of the Na Rossa founders) asked me to play in goal for Na Rossa so that's when I started. Unfortunately they were knocked out of the intermediate championship at that stage. I played in the league. I was over the moon (to be asked to join Na Rossa) because Dungloe had always too many goalkeepers, unlike Leitir."
"Johnny Doherty, he got married, I think he was going to live in Derry. He is still living in Derry so he had to give up the position. I think it was Brian Cannon that asked me to take over as secretary, Brian Cannon would have being the chairman of the club at that time, that was 82. When I was elected there at the last AGM that'd be the start of my 38th year. (June 2020) Pat the Cope checked it out and it seems it is a record for a club secretary. It's not a record for a club officer in Donegal. Because believe it or not the Sean MacCumhaills treasurer and a fella I know very well, Eugene Gallagher, he's being treasurer for over 45 years. It's one thing being secretary but treasurer, you're responsible for all the finances of the club and fundraising."
"It has changed a fair bit. The big thing when I took over I suppose was every year the players have to be registered. you have to register all the players. That was a manual task. You had this sort of folder that Croke Park would send out, you had to list every player and their dates of birth. The dates of birth were probably more important for under age players. When Na Rossa were formed there was no such thing as under age teams in the Na Rossa club. It was just the adult team. The underage came along later."
"It was very fortunate too that Na Rossa were based in Leitir because there was one family of players that were to come along, that actually formed the backbone of the Na Rossa club for years and that was the Bonner brothers. Sean, Declan, Donal and Michael. They were all county players. You couldn't have wished to get 4 better players into your club."
"That was in '78. We had an away game. Brian Cannon was the team manager too and he always insisted that everybody travel on the bus. So I would drive up to Leitir and get on the bus. We were going from Leitir to Doochary and we stopped at this house. I didn't know whose house it was. But this young fella came out, obviously a young teenager and I says awh god is he going to be playing for Na Rossa. He lined out at right corner back that day and I'll tell you it must have being one of the most impressive debuts ever for Na Rossa. I knew he was definitely going to have a long career, that was Sean Bonner. He was 15 when he made his debut. You wouldn't have to be a rocket scientist to know that he was going to be a class footballer."
"It's basically just telling the facts, what happened there which is awful. I was just taken aback by it when I heard it the first time, when I was very small, we'd heard stories about it. I read a book then back in the early 90's by Liam Dolan called land war and evictions at Derryveagh, I read that book and I put the song together. With the school we visited Glenveagh way back and I was surprised then to find out how little time they used to talk about the subject that there was 244 pepple thrown off their lands there, out on the road. There was less than 5 mins talked about that and there was over a half an hour talking wildlife, scenery and all the famous guests that were in Glenveagh. I was going to highlight it but the song just came naturally then. Capturing the mood of the music I think was the magic part of it."
"Always had a fondness for Aranmore, lots of friends in there. Met a couple of men that were heading off to the tunnel one time, they were talking about tunnel Tigers and stuff like that so I just put the song (Aranmore) together around that. But the tunnel Tigers were from all over Donegal."
"I was brought up in the Chapel road Dungloe, late teens we moved to Burtonport, and I married in Bunbeg. I've lived actually longer in Gweedore now than I lived in Dungloe."
"Things are a lot better, venues are better, sound systems are better, the roads are better. As far as the actual music industry itself is concerned I'd love to see young people buying a little bit of music, because they don't buy any. They look at you as if you got horns on you if you asked for money for a tune or for a CD. It's just the way the world is. I'd like to see something fair whereas they can produce music at a reasonable price and sell it. You gotta survive. You cannot afford to go into a studio and pay 20 grand to make an album, and then give it away!"
"Myself and Ryan (my nephew) we were counting one night, ex members, who were in the band (The Goats Don't Shave), people come people go. We've only 3 of the original members left, we've always kept the band size, membership was 6 or 7 people. Through the years I think we've had 16 or 17 members. We haven't being active all that time. There was a period there we didn't play for about 12 years, that's just the way bands are."
The original members would be all from Dungloe and Burtonport area. Shaun Doherty, Jason Philbin, Declan Quinn, John Foggy Boyle, Peter Healy, Hughie Boyle.
"It's a thing I never force, it just happens, you feel that way and you go with it. Your antenna is always on incase somebody comes up with a turn of phrase or something somebody does or you read something in the paper."
"I'm out of politics now since February of last year (2020), and I still use my time doing some work for people who still contact me and there are many of those. I walk quite a lot which I believe is good at this time of Covid-19. I think mental health is very important and do at least 5k every day. Last year, the calendar year 2020, I never missed one day from the 1st of January to the 31st of December and that included the general election period! This year I've started off again on the 1st of January and I've never missed a day, I'm nearly obsessed with it now Tony!"
"My mother and father were living in Dungloe on the main street, just as you go into the main area of the Cope, below the archway. My mother was expecting me. Paddy the Cope and his wife Sally the Cope lived there as well. Sally the Cope was dying and my mother was shipped off to Burtonport where she came from, she was Campbell from the pier in Burtonport, so that's the reason that I was born in Burtonport. But of course shortly afterwards when my grandmother died, Sally the Cope, it was back to Dungloe, I was reared there on the main street and spent most of my life there until the Cope decided that they were going to do some major renovations. It was then that we built a house on the Carnmore road and moved out there but I loved the main street!"
"As I grew older I went to work with the Campbells, an uncle of mine James Campbell and cousins John Campbell & Paddy Campbell. They were in the fish business and each summer I worked with them in Burtonport and then when I finished college I was offered a job with them, managing the factory. They had one in Burtonport and one in Killybegs where we did Salmon, Herring, where we did Lobster and other species of fish. So I worked with them all those years, and after that I was working with them both in Killybeggs and Burtonport. They then decided to consider the building of a canning factory. In those days, the fish were shipped out, they were either salted or frozen. But we wanted to add value to the fish and create more permanent employment over the 52 weeks and John Campbell decided that he would embark on the canning of both herring and mackerel. And we had various meetings with John West who marketed the fish. We then built the factory in Meenmore and it's still going well. It's provided long term sustainable employment there, so I must say I enjoyed that, that was a great period for us."
"I was very disappointed when the government decided to abolish the drift netting of Salmon. I was totally opposed to that because Salmon was important to the islanders, it was important to the small fishermen along the coast here, helped to educate manys a family and of course pressure came on the government because the stocks were dwindling somewhat but not by a lot. I was anxious then that they would be a buyout system whereby those who wanted to get out would be paid whereas those who wanted to stay would be allowed to stay but no the government decided no, and of course there was a big lobby from the angling fraternity throughout the country who were saying that the drift netting at sea is affecting the salmon which are going up our rivers. But I only wish now, a lot of those who are passed on, I would like to debate it with them because there's no deep sea fishing of salmon and there's still not a lot of salmon going up the rivers. A lot of the damage is being done further out and the damage wasn't being done by the small fishermen, that there was a big disappointment to me."
"I said throughout my career, in government or out of government, the one sector that paid too great a price for membership of the European union was the fishing sector. And I say now, it's the first time I've said it publicly that while the Brexit arrangement has being welcomed generally speaking, I say again, it's history repeating itself that the fishing industry has paid too great a price for this. They have lost 43 million. That's the value of the fish that has being lossed as a result of this and that's only the fish that are landed. Whereas that could be double that with all the value that could be added. We're told that efforts will now be made to secure greater quotas but I'm around a long time and I hope that they're successfull but I would be concerned. "
"We're married over 31 years now. It looked as when I was running around that I would never settle down but I met Ann. I settled down sometime after that. And of course I was in politics when I met Ann so she was quite happy to work with me over the years. I give so much of my time and so much of my weeks and months and years to politics but Ann never complained. At least she now has me at home all the time and of course I must say that we're enjoying life."
"There is nothing to compare with Gaelic football when you consider it. I often heard Brian McEniff, one of the successfull Donegal footballers and managers say that he would prefer to go up to the local pitch to watch an under 12 Gaelic football game than he would to watch some of the soccer matches!"
"Know what I think the problem is, we've nothing up front. That's the main thing. I think all over the field we're playing a nice brand of football, we're not conceding too many goals, in fact we're conceding very little in games. You're saying to yourself, the only problem is we're not scoring any."
"We played our football on an ash pitch. It was like gravel. From a goalkeepers point of view, you made a dive, you were picking stones out of your knee that night. When we came here and we saw the grass pitches I thought I was in heaven!"
"My mother and father, they were both from the Quay Road in Dungloe. They were actually 4 houses away from each other. But they didn't really meet till they went to Glasgow. The half of Dungloe and maybe Gweedore and Falcaragh were all over in Scotland that time."
"What actually happened was at 15, when you're young, a lot of one's can relate back to it, you either went to college or you got a trade. I wasn't college material. I was too busy building things, wee huts or I was playing football, sports and swimming. The trade came along and I was a carpenter and I done 3 years. The first 3 years was in Langside college and the third year you went to the advanced, it was in the college of building and printing, it was up in St George's square. That third year I got an award, nice to get it!"
"I landed here, I wasn't three days in Ireland when Patsy Mc Gowan from Finn Harps came up and he'd sign me for the youth squad, Finn Harps youths. Like I didn't even know where Ballybofey was!"
"Arannmore was the best team. (Pat played with). There's no question of that. If I think back on all the memories I've had, it's definitely the time in Arranmore. We won everything bar the premier. We came runners up in the premier. We started off in the lowest division, won every division, came through, went straight into the premier, runners up in that. Keadue Rovers actually won it that year. So the two Rosses teams were the top 2 in the county at the time. It was good but it as the buzz of Arranmore, it was the fans, like you had 3 coach loads going to games."
"I made my debut that night. Robbie White was the manager. He phoned me up and he asked me would I play on a Wednesday night. I asked him who we playing against and he said to me never mind, if you want to come, you be there. So I landed at the game and I saw Con McLaughlin, and I saw Charlie McKeever and I thought we've some team today. But I didn't realise we were actually playing them boys. I actually thought we were going to get battered as they say but no, we won, we beat them 2-0. It was nice to say you played a senior side and beat them."
"I look at there, I had a young fella Declan Doherty, played for Ireland, Patrick Bonner played, captained Ireland, Lee Boyle went to Aston Villa, Carl McHugh captained Ireland, he's now in India, Mark Forker Hearts. You look at the likes of Gavin McGlanaghey, Gavin was at Finn Harps, David (Pats son) was at UCD, Cory Gallagher was at Finn Harps, Martin Redmond. I have a week book I write down who makes the county team, who makes the Irish panels, through the years. In the 18 years that I was running the schoolboy teams do you know how many lads from the Rosses, not from elsewhere, represented the county!? 57 boys! I have them all named now. Having said that 5 went on to play for Ireland, 5 went across the water. 9 of them played for league of Ireland clubs, that's all local boys."
"The room I'm sitting in now is the room which I wrote Home To Donegal in, the same corner. There was no fancy equipment or nothing like that. There was a wee small keyboard and a guitar and a wee 4 track recorder, that's where Home To Donegal got it's life at the start. Basically the theme of it was, the thing of people coming home, for your town or my town or any others where they run their festivals during the summer. And let people thats away from home, come home for the festival and that's where I got the idea for home to Donegal."
"I had the thought of the melody sitting down at the keyboard and a few words. I met Mick Flavin out in Ballylifin one night after a dance. I never met the man before in my life and he was asking about songs and he says about a good Donegal song because he was very popular in Donegal, still is, and that is where Ii sort of the got the wee push to go ahead and finish the song and I posted it off to him and it wasn't that long afterwards that he rang me up 1 day and he played it over the phone to me, see what I thought of it."
"At the start I never seriously considered that the songs were maybe worthy of being recorded I suppose. I sent a song into a radio programme, it was radio Eireann at the time and the song was picked up first by Brendan Shine, and it's being covered multiple times since, the song 'Can't Hold The Years Back'. It was my first breakthrough into getting my songs covered and it gave me a lot of confidence in writing more. It gives you, I suppose a respectability in your writing that if people are recording them, they must be okay."
"Greencastle's a fishing village. It'd be very well known as a fishing village. Its in Lough foyle. Most young men of a certain generation would have all spent some time fishing. A lot of boys went away on the Merchant Navy or going away to work in England and things like that in their young days. It'd be quite a common thing, the immigration theme is a always a big one, mostly all over Donegal I suppose."
"It's nearly self explanatory. I went out the back door one morning and the birds were singing and the country was in total lockdown and I thought to myself it was making no difference at all to the actual Irish countryside. No one told the robin and I led it on from that!"
"Like a lot of other ones around here, I worked as a fisherman. I worked at fish processing and then I ran a small fish processing business for a good number of years. I went full time at the music in probably mid 90s or early 90's. We were brought up that music was a sort of a sideline of a thing if you like, you played in lounges and that type of work, and hotels. You never let go of your day job but eventually I did decide to do it and to be truthful I should have done it years earlier."
"It was born out of a necessity really. My business partner, the guy that runs it with me is a voice director. He directs voice actors in video games. He many years ago said to me 'I'm fed up with using the same voice actors in the games that we run'. It's quite a specialised niche in voice over/voice acting in that there are certain techniques in things you need to know about how to do voice in video game. So he said 'I end up training people on the job in front of clients' and that's not ideal. He and I had this conversation and we came up with an idea that we would form a buisness to train actors to become voice actors in the video gaming industry. So that's what we did. Then from there, the business then grew into what is now the biggest voice acting academy or university virtually in the world. We've trained something like close to 50,000 voice actors around the world in all aspects of voice over. From video gaming to audio books and everything else in between. I'm really delighted and very proud of what we've achieved there."
"I grew up in Belfast and left there when I was 23, 24 nearly. That's where I started my career in front of the microphone, was at the BBC in Belfast. Before that it was in hospital radio, I worked in a hospital radio station at the Royal Victoria hospital in Belfast. Then I went to Queens university to do a degree in psychology and I worked during that period for the BBC in Belfast as a radio announcer. So I was reading news both on T.V. and radio in those days."
"I've never seen anybody, before or since be introduced onto a studio floor in a television studio in front of a live audience and be able to walk on the set and have the audience literally stand up and applaud him before he had even uttered a word. That speaks volumes for his reputation and how much he was loved. Then to watch him reel in an audience literally like they were his rightful prey. He just had this uncanny ability to judge an audience's mood and instantly know what they wanted and be able to give it to them and have them eat out of his hand within about two seconds, he was unique. Of course that kind of talent doesn't come overnight. This ability to do what I've just described comes through many many many years of failure and practice in front of live audiences which Bruce had from his early career when he was a young boy. I think he started when he was about 9 or 10 as the mighty atom, touring Britain's music halls which he continued to do for many many years in front of some the toughest audiences you could ever imagine."
"One of the highlights of my career I think yea. It was a remarkable opportunity and never to be repeated again in my lifetime and so I grasped it with both hands. Was so honoured and thrilled to do it. I just can't tell you how fun it was!"
"I've always and still have a great deal of affection for it. Because I suppose you could argue that, that show and that show alone have done over something like probably about a hundred broadcast TV shows and series over my lifetime. That show alone is probably the one that catapulted me into the public consciousness with the voice that I did for it. I loved doing it, I think 16 years is a very good run in any formats kind of history. It's being a fantastic show for me personally and for many many people that went through it. Including the people who won and those that didn't win but still went on to have stellar careers out of it. "
The show had its detractors. People thought it was exploitive. Those young people, not so young people who were on that show, they were by and large amateurs, they weren't professional performers. some of them had very limited experience, certainly no TV experience and to ask them each week to sing and perfect a song and learn the lyrics of that song and walk down some stairs and negotiate props on set and dry ice and God knows what and find your mark on the stage, and sing the song and remember all the words is a very tall order, I really don't think I could do it myself. It's something that is remarkable to me that so many of them managed to do it all.""
"One of the first songs I've ever wrote. I wrote it when I was going to the tech in Carrick. I used to play in a indie/grunge kind of a band, Beatle influences and stuff as well. We were called 'Bulb'. And it was myself and two O'Donnell brothers, One of them Micky D who joined me in the Revs then after. We were only about 15, 16 at the time. You wouldn't really realise until you listen to it 3 or 4 times, it's actually about racism in a very simplistic way. It's written almost from the point of a view of a toddler or a child. It's that whole thing, 'Colours don't mean a thing' and then it's like a nursery rhyme and the chorus 'I'm so blue, I'm living in a shoe with a photograph of you."
"I originally wrote it for a guy in Lanzarote called Jimmy from Senegal and he done the video with me of course. He really launched the whole thing with the brilliant way he lists off the Irish towns. He was a bit of a star in Lanzarote. He would go in selling the fake Rolexs and the chains, just a brilliant character. I wrote him the song first and it was called 'Jimmys selling watches, Jimmys selling chains, Jimmys going to sing about Molly Malone again'. He used to sing Molly Malone with me every night. That was the original chorus, that didn't take off, it didn't do very well, it got about 5 thousand views. Then my mother was on holiday and she said to me, 'you really switch that around for Jim McGuinness, you're a Donegal fan anyway', and I was like 'Yea but Its Jim McGuinness, nobody really calls him Jimmy and she was like 'ah you'll be grand' so I switched it round. I told Jimmy about it, told him who Jim McGuinness was, how well Donegal were doing, the buzz that was behind them locally and he was sat down on the beach with me and we did it in 2 takes. That's the 2nd take, the video that got a million views!"
"That was an electric hit we originally had with the Revs. I wrote the verses before we had the Revs formed. Then when we were playing it in the rehearsal room, we all started shouting 'Wooooooooooo' in the chorus and we said, right that's the song. We scribbled that down, that was our first single in 2001. It was one of those things. We won a hot press battle in the band competition and that was the single that we got to release as the prize. So it was going to get a bit listened to anyway, we were lucky enough we'd won that big competition in Dublin. When it came out, it went into hot press on 2FM, they had to give an original glance and luckily enough it was just again a very catchy melody. simplistic melody with quirky lyric and cheeky lyric as well. It took off big time. It went into number 16 in the Irish charts and it stayed there for the whole summer 2001. And we got to play with the foo fighters and white stripes, great times."
"From the age of 8 or 9 I remember it, they went 'You have the talent, you're playing away, try and write your own music, thats where you can get the bigger break'. It was nice to have them say that, so I always had that in the back of my mind, try and do more original music. When I started doing a lot of reading, when I went into the tech and you start developing your English a little bit better. I would have being reading Mark Twain, James Joyce, whatever kind of stuff was on the English curriculum, probably helped my lyrics a little bit. But I always tried to keep a lot of the stuff i did that would connect with my friends as well. I would mix deep writing but with whacky writing as well. Like a feel good night out. I always had it like a house party really, my gigs. Where'd you go 3 mad songs in a row into a nice slow ballad and then rise it back up again."
"He writes with so many different people. I met up with him two or three times. Lovely fella. Very talented and very easy going. He's the same as myself where he has that thing where you don't say worry about saying something in a room, you write that down and if it's not great, you move onto to the next thing. You don't suggest a verse line and he goes 'No way, thats not what I would sing', there's no bad feelings, you keep scribbling down ideas. You might have nine pages, you might have 400 chord ideas, then you start listening back the two of us and go well that's a simple route there, that's the nicest word. We've wrote maybe 4 songs together and I think he's putting 2 of them on his new album next summer."
"We formed in the year 2000, myself Micky D & John. John's father was from our area, he'd have being more from Glencolmcille but he would have being down every summer. We kind of got together and we built our way up from pubs to winning a hot press competition, to getting into the Irish top 20 to then we were doing loads of great supports all across Ireland and the UK to bigger bands that were coming over. We got to do Slane castle, playing along with the Stereophonics and Counting Crows. We got to play the Viper Room in Los Angeles, Johnny Depp's club. We got to do loads of tours in Texas and New York. We had a top 20 single in Australia, in the rock charts. We would have toured Australia three times. We played in Thailand, we were in Singapore, we had a top 20 song in Germany as well. Just brilliant times. We had two top 5 albums in our first 3 years, imagine that, in Ireland. It went so fast, all of a sudden then when we started to go, right let's put out the kind of music that we really love, it's that old story of 'nah we preferred you the way you were'.."
"This is the one that's just always being connecting with people since I wrote it, when I was 18. I wrote it round the the time that a friend of mine Jonathan Bradley passed away. I would have went to school with him in Carrick, just one of the boys. He was over on work experience in Florida, too much to drink and fell into the swimming pool and couldn't swim. It was night time and I don't think anybody could hear him from the apartment. I wrote the song round that time but weirdly enough I didn't actually sit down and go I'm going to write a song for Johnny. It was just that thing where your scribbling things down all the time and that was one of the songs that came out. When I wrote it first, I was like the melody might be a little bit too much like Roy Orbison, I don't know if it'll work. I would have being playing it in the pubs and after every gig people would come up and say 'that song waterfall is lovely, what's it about' and I would say I don't know, it's just something that came into my head. Years later I was thinking, hang on that was around the same couple of weeks Jonathan passed away. It's got the lyric 'I'm not waving out, I'm drowning' and it's like 'so long I'll see you all' He was such a positive guy as well, there's lyrics in there 'I know I'll have a ball, I've got to dive into this Waterfall' Everybody takes their own meaning out of it."
"When you think back to his time in Kildare, he was really only 1 point away from getting them to an all Ireland final in 2010, if you speak to any of the Kildare players who would have played under Kieran, they always have great admiration and great respect for Kieran and that's the exact same for the current group of Armagh players."
"They definitely instilled the drive to succeed in that Armagh squad, we would respect those two managers no end for what they went on and done. Effectively they opened the gates for Armagh to kick on and become the force that they did!"
"He had an aura about himself, Joe is a massive massive presence, a massive figure head in Armagh football. When he came in, we were prepared to listen. Joe came in and really instilled the confidence which is one of things we were probably lacking on the national level. He added a few fresh faces. Ronan Clarke is the one outstanding candidate that I'm talking about. Joe seen for such a young lad that he had the mentality to play at such a high level. Joe's planning and preparation for getting the team right, when I look back at those times, there really was no stone left unturned!"
"There was a good gap, maybe a 6 to 7 week gap between league and championship, as it was always the case back then, it gave us plenty of time to prepare and get ourselves right for the opening round game against Tyrone. In that time Joe decided to take us away to La Manga. We were heavily criticised for it at that time. We often remember going up the hill in Clones where we were going over to the warm up pitch and supporters from Tyrone asking us where our tans were. Tyrone were expected to win that game, they were favourites, they had won the national league. We drew with Tyrone that first day out, a lot of people thought that we missed the boat but to come back and the replay AND to beat them, made people realise I suppose we were a force to be reckoned with once again."
"When you're away, you're afforded the opportunity to get in 2 training sessions per day. We trained early in the morning, you're eating properly for a full week, everything's laid out for you, then you're doing a proper training session in the evening, you're getting good recovery sessions in the pool, not only that. evenings were spent analysing our opponents as well and having team meetings and that was crucial. We really seen it as an opportunity to really gain an advantage over our opponents in terms of where their strengths lay, where their weaknesses lay. Not only on them but to watch footage on ourselves and what we were good at too!"
"The Carrickdale was our first port of call because even though the Carrickdale is just across the border in Co Louth, we always see it as an Armagh hotel anyway, that's where we regularly would have ate and met as a team. There was thousands upon thousands of people there and literally they followed us all around the country. We went from there across to Crossmaglen where once again you couldn't see any of the green grass on the Crossmaglen field, it was just full of people then from there through the countryside into Armagh City Hotel where, when entering the city of Armagh, we were put into an open top bus and that was a special feeling, they reckon there was up to 60,000 people in Armagh that evening. To see the sense of joy in many peoples faces young and old is something that will always live with me!"
"I felt that I done everything right up until the moment I went to pull the trigger but in reality I didn't see Conor Gormley coming and if I had of seen him with the corner of my eye, I always feel that I would have mabye tried to check inside him and he would have no option but to pull me down and we would have got a penalty, it's just one of these things, it's one of the most outstanding blocks you'll ever see."
"Another memory of that particular day was when we were leaving Croke Park, and you're going through the streets of Dublin, to head back North, the Dublin supporters lined the streets, applauded us and clapped us. That's a special feeling, you gain a level of respect from their supporters as well. You certainly don't forget that! Ever since then I probably have a wee bit of an easy feeling for Dublin."
"I really whole heartedly believe that the Armagh team of 2005 was the best Armagh team of all time. We were just on a different level that particular year. We went 16 games unbeaten until Peter Canavan kicked over the winning point against us in the semi final, and that was from the national league, we won the national league that year right through to the All Ireland Semi Final, there was something really special about that team, and if we had of have seen that semi final out I would've no doubt we would have kicked on and won the All Ireland as well."
"My first meeting professionally of John was in Oslo. I was to do a sound check, I walked on stage, I don't get nervous. I don't get nervous meeting people, I'm blessed like that, but let's say the blood pressure might have being up a bit and I'm walking towards John and I'm like this really is John Prine. This is thee John Prine that I sat in the audience looking at for 20 years. Within seconds he put me at ease. His lack of ego, his humanity, his sense of humour. He really had no ego, I really mean that, the guy was just an ordinary Joe who wrote exceptional songs."
"John got a lifetime achievement Grammy in February. It was actually quite surreal, people were texting me. He was at the Grammies on a Sunday and he was on Ardara on the Thursday. I had text and I says 'imagine he got a lifetime achievement Grammy on Sunday and now he's sitting in Nancy's having a pint!"
"The singing mailman he was known as. When he came back from Germany and the US army, he was a mailman and he used to say that he'd be delivering mail to post boxes, and he'd look at the name and put it in the post box and he wondered what the life of that person was like, he would maybe write a song about them, Maybe that's where Sam stone came out of? I don't know."
"Lonesome Friends Of Science was on John's last album, 'The Tree Of Forgiveness'. A lot of great songs on that album but The Lonesome Friends Of Science really tickled me cause to me that's John Prine. He wrote about Pluto, he heard Pluto had being demoted from a planet to a star. And he thought about poor lonely Pluto, after being famous for all those years and then poor Pluto was demoted. Only John Prine could write about that and it's fabulous, it's a great song!"
"He (John Prine) was playing in a night club in Chicago I believe it was. Somebody persuaded Kristofferson to come and hear this talented songwriter and he did not want to be there you know. He came in, it was the end of the night, the audience were gone, and he says right, 'sing me something'. And John sang Sam Stone. And Kris said 'sing it again' and John sang it again. and then Kris said 'sing every god damn song you've ever written for me'! So he did. Kristofferson had him on a plane the next day or the day after to Nashville!!"
"I teach people from scratch, I trained a 4 year old kid, I've got a 72 year old guy as well who can actually fight. I taught them how to fight from scratch for real, certain skills and defence. Not that they're gonna fight but if they have to, they know how to do it."
"He trained 20 world champions, back to Joe Fraizer, Ken Norton, Leon Spinks, 3 guys that actually beat Muhammad Ali. Modern day when I came here, he had Riddick Bowe and Mike McCallum, Mike was a three time world champion from junior, middle to light heavy and Riddick Bowe was the heavyweight champion of the world. Also Montell Griffin who was in the same Olympics as me, he was trained by Eddie as well, he became light heavyweight champion. I was rubbing shoulders with these guys and being taught by Eddie. 20 world champions, I was his last and his smallest."
"I flew to America on the 20th February 1993, my pro debut was 3 days later, I was in the country 3 days, I fought a guy called Alfonso Zamora, he had two fights, 1 win and 1 draw and his uncle from the eighties, same name Alfonso Zamora was a former WBC champion, so he came from a pedigree of fighters. I knocked him out in the fourth round, it was televised on T.V. My 2nd fight a few weeks later was at Maddison Square Garden against a Puerto Rican who was Hispanic as well, he was a golden gloves champion making his debut, he was no pushover, I knocked him out in the 3rd round. Eight days later I went back to LA and fought another Mexican, a southern Californian golden gloves champion, I beat him. My first six fights were all against Hispanic guys, my 7th fight was in Belfast, 8th fight in Dublin."
"I didn't expect anything going over there, we knew it was hard to get a result in Japan. We had two American judges, and a Korean judge and we thought right away, oh no we got a Korean judge! we're gonna have to make sure. Yakushiji was a hell of a fighter, he could fight, the 5th defence of his belt, not just in his home country, it was in his home city of Nagoya, he was popular there. Eddie Futch had the gameplan we worked on in training camps, he had a great jab. Eddie had me work my jab in training camp on different angles, so all of a sudden I'm going out there automatically out jabbing a guy who has a good jab. It was working, and I'm thinking holy crap, if you can do it in the gym, you can do it in the fight!"
"Right there, your history changed, it's forever, and to do that in Japan. I would have went back and fought him and give him a rematch but for some reason he never fought again. Somebody said it was because he left his manager and it's disrespectful to get a new manager in Japan. A lot of respect in Japan, they treated me well. They kicked my door two nights in a row but I'm like 'that doesn't scare me', I'm talking about the people, the hotel, they treated me well food wise, no problems, out running in the morning, no problems."
"The reason why he fought me in '98, I was out of the ring 15 months, I fought a guy called Juan Polo Perez who was a former world champion, I won the fight but I looked like garbage, my promoter didn't turn up for the fight, my promoter was screwing me. My head wasn't in it, but i still won the fight. Soon as that fight was over, 2 days later, my wife says 'do you want the fight? I said With Hamed? You know I do! Without even thinking about the money. I said yes to my wife! He thought I was done. It was a blessing. He didn't know what I was going through. When I fought Hamed, I knew in my mind he was never gonna knock me out. He had 18 KOs in a row. I had fought a different calibre of fighter than he had. I told him, if you hit me on the chin, I gurantee you're going to run from me because I'm not going anywhere. He believed in his mind and the media for some reason they were all suckered in too, he had knocked out 18 guys in a row bla bla bla, and I'm thinking I've never even touched the canvas, I've never even being phased in a fight! A lot of my friends who watched it and a lot of the media guys thought I did enough to win because he ran from me, he was the HBO fighter. HBO at that time, they actually signed fighters up, so when you're fighting on HBO against their guy they're gonna have to protect their asset understandably."
"In the 9th round in that fight, he was ready to quit. He was actually lying on the stool. He was a young guy. He was 23 years old or something, I was 29. He was knocking people out. 9 guys in a row. He wasn't used to being hit to the body that hard and being at that pressure. I talk to him every other week, he calls me the crazy Irish man of course. Respect for each other in that fight was just tremendous. Classic fight that'll probably be watched forever."